Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Mirror, Mirror, Tell Me Who I Am: Colonial Empire and French Identity

View through CrossRef
This essay analyzes the pitfalls of the adoption of postcolonial studies by French colonial historians and traces their roots to a deep-seated identity investment in the colonial empire, especially Algeria. It examines French colonial historiography's elision of racism as a willed attempt at maintaining the wholeness of imperial identity (after the loss of empire) rather than a pathological condition of aphasia. The essay argues that French imperial identity is nurtured by education and state intervention in the production and reproduction of political culture.
Duke University Press
Title: Mirror, Mirror, Tell Me Who I Am: Colonial Empire and French Identity
Description:
This essay analyzes the pitfalls of the adoption of postcolonial studies by French colonial historians and traces their roots to a deep-seated identity investment in the colonial empire, especially Algeria.
It examines French colonial historiography's elision of racism as a willed attempt at maintaining the wholeness of imperial identity (after the loss of empire) rather than a pathological condition of aphasia.
The essay argues that French imperial identity is nurtured by education and state intervention in the production and reproduction of political culture.

Related Results

The Diffusion of Manichaeism in the Roman Empire
The Diffusion of Manichaeism in the Roman Empire
A study of the fate of Manichaeism in the Roman Empire derives its interest from three main problems. First, Manichaeism was invariably associated with Persia: to study the growth ...
Property, Authority and Personal Law: Waqf In Colonial South Asia
Property, Authority and Personal Law: Waqf In Colonial South Asia
British rule in South Asia transformed the economy and society of the subcontinent, in large part by revamping the status of landed property. Colonial law was founded on the notion...
The Centrepiece of Colonial Queensland's Celebration and Commemoration of Royalty and Empire: Government House, Brisbane
The Centrepiece of Colonial Queensland's Celebration and Commemoration of Royalty and Empire: Government House, Brisbane
Her Majesty's birthday was right royally celebrated last evening by His Excellency the Governor on the occasion of the annual birthday ball at government house.‘Royalty’ and ‘Empir...
Guest Editor's Introduction
Guest Editor's Introduction
The four essays presented in this special section emerged from a conference originally conceived by Miriam Silverberg and organized at the University of California, Los Angeles in ...
Beur–French romances in French comedies: Postcolonial mimicry or a challenge to essentialist identities?
Beur–French romances in French comedies: Postcolonial mimicry or a challenge to essentialist identities?
During the last 50 years, descendants of Maghrebians who immigrated to France ( beurs) have received French citizenship. Their societal position is paradoxical: French citizens by ...
Translation And The Colonial Imaginary: Ibn Khaldûn Orientalist
Translation And The Colonial Imaginary: Ibn Khaldûn Orientalist
Despite the increasing interest in translation in the last two decades, there has been no investigation of the translation of historiography and its transformation from one languag...
‘White Already to Harvest’: South Australian Women Missionaries in India1
‘White Already to Harvest’: South Australian Women Missionaries in India1
In 1882, the South Australian Baptist Missionary Society sent off its first missionaries to Faridpur in East Bengal. Miss Marie Gilbert and Miss Ellen Arnold were the first of a st...
Memories of empire: The Empire Exhibition in Andrea Levy’sSmall Islandand Hari Kunzru’sThe Impressionist
Memories of empire: The Empire Exhibition in Andrea Levy’sSmall Islandand Hari Kunzru’sThe Impressionist
Two novels from the early 2000s set key scenes at the Empire Exhibition in London in 1924: Hari Kunzru’s The Impressionist (2002) and Andrea Levy’s Small Island (2004). In both nov...

Back to Top