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The Epoch’ Tendencies in Marius Petipa’ Last Ballet The Magic Mirror
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Based on well-known and research materials about the creation, preparation, premiere and perception of The Magic Mirror ballet (choreography by M. Petipa, music by A. Koreshchenko, 1903), a culturalogical perspective of this phenomenon is proposed. This perspective is also applied to many components of the synthetic whole — music, scenography. As well as for the analysis of significant trends in changes in ballet toposes and their interpretations, ballet pantomime and its (as, in general, the classical ballet’ poetics) hypothetical impact onto silent movies.
Federal State-Financed Scientific Institution State Institute for Art Studies
Title: The Epoch’ Tendencies in Marius Petipa’ Last Ballet The Magic Mirror
Description:
Based on well-known and research materials about the creation, preparation, premiere and perception of The Magic Mirror ballet (choreography by M.
Petipa, music by A.
Koreshchenko, 1903), a culturalogical perspective of this phenomenon is proposed.
This perspective is also applied to many components of the synthetic whole — music, scenography.
As well as for the analysis of significant trends in changes in ballet toposes and their interpretations, ballet pantomime and its (as, in general, the classical ballet’ poetics) hypothetical impact onto silent movies.
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