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Vase: Tirant l'art (Casting the Net)
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National Museum of Art of Catalonia
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vase: ["Portland Vase"]
vase: ["Portland Vase"]
A late eighteenth century first edition black Jasperware Portland vase made in c. 1790. Number 29 marked on inner lip in pencil., A late eighteenth century Wedgwood Portland Vase, ...
Gypsum head of a man
Gypsum head of a man
This expressive plaster cast shows the portrait study of a man who was often associated with Eje, later Pharaoh in the literature. However, this assignment is purely speculative an...
Diese großformatige Vase mit Deckel stammt aus Kutani in der Präfektur Ishikawa. Die dreifärbige (Gold, Rot, Schwarz), die gesamte Gefäßoberfläche ausfüllende Bemalung wird aka-e saikō genannt und war von der späten Edo- bis in die mittlere Meiji-Zeit (Mi
Diese großformatige Vase mit Deckel stammt aus Kutani in der Präfektur Ishikawa. Die dreifärbige (Gold, Rot, Schwarz), die gesamte Gefäßoberfläche ausfüllende Bemalung wird aka-e saikō genannt und war von der späten Edo- bis in die mittlere Meiji-Zeit (Mi
This large-format vase with lid comes from Kutani in Ishikawa Prefecture. The three-coloured (gold, red, black), the entire vessel surface filled painting is called aka-e saikō and...
Diese großformatige Vase mit Deckel stammt aus Kutani in der Präfektur Ishikawa. Die dreifärbige (Gold, Rot, Schwarz), die gesamte Gefäßoberfläche ausfüllende Bemalung wird aka-e saikō genannt und war von der späten Edo- bis in die mittlere Meiji-Zeit (Mi
Diese großformatige Vase mit Deckel stammt aus Kutani in der Präfektur Ishikawa. Die dreifärbige (Gold, Rot, Schwarz), die gesamte Gefäßoberfläche ausfüllende Bemalung wird aka-e saikō genannt und war von der späten Edo- bis in die mittlere Meiji-Zeit (Mi
This large-format vase with lid comes from Kutani in Ishikawa Prefecture. The three-coloured (gold, red, black), the entire vessel surface filled painting is called aka-e saikō and...
Vase in the Shape of an Archaic Jade 'Cong' Ritual Implement
Vase in the Shape of an Archaic Jade 'Cong' Ritual Implement
Square in section, this tall vase has a circular footring and a short, circular neck with lightly flaring walls. The vase is strongly archaistic in character, its shape deriving f...
Flounce of machine-embroidered silk net lace in cotton, possibly made in Switzerland or Germany, ca. 1890. Flounce of embroidered net lace from a wedding dress. Silk net with cotton machine embroidery in imitation of needle-run net. The design is composed
Flounce of machine-embroidered silk net lace in cotton, possibly made in Switzerland or Germany, ca. 1890. Flounce of embroidered net lace from a wedding dress. Silk net with cotton machine embroidery in imitation of needle-run net. The design is composed
Flounce of machine-embroidered silk net lace in cotton, possibly made in Switzerland or Germany, ca. 1890. Flounce of embroidered net lace from a wedding dress. Silk net with cotto...
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Formerly thought to represent Parsvanatha, Jainism’s twenty-third Tirthankara, this sculpture has now been identified as Suparsvanatha, Jainism’s seventh Tirthankara. According to ...
Vas. Dehuaporcelain, Ming-Qingdynasty.
Vas. Dehuaporcelain, Ming-Qingdynasty.
VAS, A vase in an archaic bronze form called gu. The vase was probably part of an altar set at a Buddhist temple. During the end of the Ming Dynasty and the following Qing Dynasty,...