Javascript must be enabled to continue!
The Mtatsminda Pantheon: a memory site and symbol of identity
View through CrossRef
The paper deals with the Pantheon of Writers and Public Figures at the Mtatsminda rise in Tbilisi. The latter represents a memory site of widely recognized symbolic importance for a long time. Initiated at the end of the nineteenth century and opened in the 1920s, the Pantheon was conceived of as a symbol of collective identity of Georgia. The status of the Pantheon of Writers and Public Figures has largely defined its history in the following decades, both in the Soviet period and afterwards. The paper aims to trace the transformation of the idea of the Mtatsminda Pantheon as a symbol of Georgian identity over a century, to explain how and why the meanings assigned to the Pantheon evolved over time, thus contributing towards the formation of a collective memory – one of the essential elements of national identity. The work draws upon factual evidence and theoretical judgements presented in various pieces of research, as well as the analysis of papers reflecting different subject-specific discussions, information spread by media outlets, including popular newspapers, magazines, and official documents.
Title: The Mtatsminda Pantheon: a memory site and symbol of identity
Description:
The paper deals with the Pantheon of Writers and Public Figures at the Mtatsminda rise in Tbilisi.
The latter represents a memory site of widely recognized symbolic importance for a long time.
Initiated at the end of the nineteenth century and opened in the 1920s, the Pantheon was conceived of as a symbol of collective identity of Georgia.
The status of the Pantheon of Writers and Public Figures has largely defined its history in the following decades, both in the Soviet period and afterwards.
The paper aims to trace the transformation of the idea of the Mtatsminda Pantheon as a symbol of Georgian identity over a century, to explain how and why the meanings assigned to the Pantheon evolved over time, thus contributing towards the formation of a collective memory – one of the essential elements of national identity.
The work draws upon factual evidence and theoretical judgements presented in various pieces of research, as well as the analysis of papers reflecting different subject-specific discussions, information spread by media outlets, including popular newspapers, magazines, and official documents.
Related Results
The Cult Statues of the Pantheon
The Cult Statues of the Pantheon
ABSTRACTThis article reconsiders the possible statuary of the Pantheon in Rome, both in its original Augustan form and in its later phases. It argues that the so-called ‘Algiers Re...
Antonio da Sangallo the Younger's Reactions to the Pantheon:
Antonio da Sangallo the Younger's Reactions to the Pantheon:
In Antonio da Sangallo the Younger's Reactions to the Pantheon: An Early Modern Case of Operative Criticism, Francesco Benelli looks at three annotated drawings by Antonio in which...
From Site-specific to Site-responsive: Sound art performances as participatory milieu
From Site-specific to Site-responsive: Sound art performances as participatory milieu
This article concerns context-based live electronic music, specifically performances which occur in response to a particular location or space. I outline a set of practices which c...
Hume on Identity and Imperfect Identity
Hume on Identity and Imperfect Identity
In §6 of Book 1, Part 4 of the Treatise, Hume appears to be inconsistent in his comments about ascriptions of identity to series of successive, significantly related items or to pu...
Mapping the Terrain: a Survey of Site-Specific Performance in Britain
Mapping the Terrain: a Survey of Site-Specific Performance in Britain
Who is producing site-specific performance in Britain? Who sees it? Where do these performances occur, or, more particularly, ‘take place’? What tools are used to construct a perfo...
Performing Water: Site-specific dance-making as liquid art
Performing Water: Site-specific dance-making as liquid art
The Remnant Dance Project, Culaccini, developed site-specific dance movement in response to the waters of the Taleggio Valley, Italy, during the Nature, Art and Habitat Residency (...
The Star of David and the Stars Outside: The Poetics and Semiotics of Jewish Folklore and of Zionism
The Star of David and the Stars Outside: The Poetics and Semiotics of Jewish Folklore and of Zionism
“The Star of David and the Stars Outside: The Poetics and Semiotics of Jewish Folklore and of Zionism” written in memory of Dov Noy by his disciple and successor, proposes the pers...
Identity Recognition as a Tragic Flaw in King Lear by William Shakespeare: Application of Hegel’s Master-Slave Dialectic
Identity Recognition as a Tragic Flaw in King Lear by William Shakespeare: Application of Hegel’s Master-Slave Dialectic
According to several theories of recognition it has been established that an individual counts on the feedback of another to seek identity recognition. According to G.W.F. Hegel (1...