Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Cult Statues of the Pantheon

View through CrossRef
ABSTRACTThis article reconsiders the possible statuary of the Pantheon in Rome, both in its original Augustan form and in its later phases. It argues that the so-called ‘Algiers Relief’ has wrongly been connected with the Temple of Mars Ultor and is in fact evidence of the association of the Divus Julius with Mars and Venus in the Pantheon of Agrippa, a juxtaposition which reflects the direction of Augustan ideology in the 20sb.c.and the building's celestial purpose. This triple statue group became the focus of the later Pantheon, and its importance is highlighted by the hierarchized system of architectural ornament of the present building.
Cambridge University Press (CUP)
Title: The Cult Statues of the Pantheon
Description:
ABSTRACTThis article reconsiders the possible statuary of the Pantheon in Rome, both in its original Augustan form and in its later phases.
It argues that the so-called ‘Algiers Relief’ has wrongly been connected with the Temple of Mars Ultor and is in fact evidence of the association of the Divus Julius with Mars and Venus in the Pantheon of Agrippa, a juxtaposition which reflects the direction of Augustan ideology in the 20sb.
c.
and the building's celestial purpose.
This triple statue group became the focus of the later Pantheon, and its importance is highlighted by the hierarchized system of architectural ornament of the present building.

Related Results

The Mtatsminda Pantheon: a memory site and symbol of identity
The Mtatsminda Pantheon: a memory site and symbol of identity
The paper deals with the Pantheon of Writers and Public Figures at the Mtatsminda rise in Tbilisi. The latter represents a memory site of widely recognized symbolic importance for ...
Euthymos of Locri: a case study in heroization in the Classical period
Euthymos of Locri: a case study in heroization in the Classical period
AbstractEuthymos was a real person, an Olympic victor from Locri Epizephyrii in the first half of the fifth century BC. Various sources attribute to him extraordinary achievements:...
Arnold Quellin's Statues at Glamis Castle
Arnold Quellin's Statues at Glamis Castle
SummaryOn 23rd December 1685 Arnold Quellin, Carver, signed an agreement with Patrick, Earl of Strathmore and Kinghorne, to provide statues of the four Stuart kings and a bust of t...
Antonio da Sangallo the Younger's Reactions to the Pantheon:
Antonio da Sangallo the Younger's Reactions to the Pantheon:
In Antonio da Sangallo the Younger's Reactions to the Pantheon: An Early Modern Case of Operative Criticism, Francesco Benelli looks at three annotated drawings by Antonio in which...
How Statues Speak
How Statues Speak
Abstract We apply a familiar distinction from philosophy of language to a class of material artifacts that are sometimes said to “speak”: statues. By distinguishing ...
Misunderstood Gestures: Iconatrophy and the Reception of Greek Sculpture in the Roman Imperial Period
Misunderstood Gestures: Iconatrophy and the Reception of Greek Sculpture in the Roman Imperial Period
Abstract Anthropologists have defined iconatrophy as a process by which oral traditions originate as explanations for objects that, through the passage of time, have ceased to make...
Statues, History, and Identity: How Bad Public History Statues Wrong
Statues, History, and Identity: How Bad Public History Statues Wrong
AbstractThere has recently been a focus on the question of statue removalism. This concerns what to do with public history statues that honor or otherwise celebrate ethically bad h...
A “Black Cult” in Early Medieval China: Iranian-Zoroastrian Influence in the Northern Dynasties
A “Black Cult” in Early Medieval China: Iranian-Zoroastrian Influence in the Northern Dynasties
AbstractThrough an analysis of Chinese theophoric names - a genre that emerged in the early medieval period largely under heavy Iranian-Sogdian influence - we suggest that there wa...

Back to Top