Javascript must be enabled to continue!
Studi Deskriptif Motif Kerawang Gayo Aceh Tengah pada Baju Pengantin Adat Gayo
View through CrossRef
Kerawang Gayo is the designation of the Gayo carving motifs of Central Aceh Province. The Gayo Kerawang motif can be found on wooden houses, pottery, wicker, metal, and cloth. In this context discusses the Gayo Kerawang which is applied to traditional Gayo clothes, especially wedding clothes. On the Gayo wedding dress which is still pure from the ancestors and has not been exposed to modernization, it uses a black base color (cloth) with red, green, white, and yellow thread embroidery. Whereas in the modern version of the traditional Gayo traditional wedding dress, there have been many changes both from the color of the fabric used, as well as to the shape and size of the openwork motifs used. This study aims to determine the shape, color and placement of the Gayo Kerawang motif on the traditional Gayo wedding dress. This study uses a qualitative descriptive method approach, namely by describing each object to be studied. The findings of this study indicate that eight Kerawang Gayo motifs were found on the traditional Kerawang Gayo bridal dress in Central Aceh. Namely: pucuk ni tuwis, emun berangkat, jang/peger, sarak opat, tekukur, keleton senye, emun beriring, and emun singah modification. There is also a change in the color of the traditional Gayo bridal kerawang cloth, and the placement of the Kerawang motif on the traditional Gayo wedding dress, has no special rules.
Sekolah Tinggi Informatika dan Komputer Indonesia
Title: Studi Deskriptif Motif Kerawang Gayo Aceh Tengah pada Baju Pengantin Adat Gayo
Description:
Kerawang Gayo is the designation of the Gayo carving motifs of Central Aceh Province.
The Gayo Kerawang motif can be found on wooden houses, pottery, wicker, metal, and cloth.
In this context discusses the Gayo Kerawang which is applied to traditional Gayo clothes, especially wedding clothes.
On the Gayo wedding dress which is still pure from the ancestors and has not been exposed to modernization, it uses a black base color (cloth) with red, green, white, and yellow thread embroidery.
Whereas in the modern version of the traditional Gayo traditional wedding dress, there have been many changes both from the color of the fabric used, as well as to the shape and size of the openwork motifs used.
This study aims to determine the shape, color and placement of the Gayo Kerawang motif on the traditional Gayo wedding dress.
This study uses a qualitative descriptive method approach, namely by describing each object to be studied.
The findings of this study indicate that eight Kerawang Gayo motifs were found on the traditional Kerawang Gayo bridal dress in Central Aceh.
Namely: pucuk ni tuwis, emun berangkat, jang/peger, sarak opat, tekukur, keleton senye, emun beriring, and emun singah modification.
There is also a change in the color of the traditional Gayo bridal kerawang cloth, and the placement of the Kerawang motif on the traditional Gayo wedding dress, has no special rules.
Related Results
Pendekatan Positivistik dalam Studi Hukum Adat
Pendekatan Positivistik dalam Studi Hukum Adat
AbstractAdat Positive Legal Science was initiated to simplify Western People (officer, legal enforcer, scholar) to understand adat or adat law. There are two important process to p...
KONSISTENSI MASYARAKAT ADAT TERHADAP TATANAN FISIK SPASIAL KAMPUNG ADAT CIREUNDEU, CIMAHI SELATAN
KONSISTENSI MASYARAKAT ADAT TERHADAP TATANAN FISIK SPASIAL KAMPUNG ADAT CIREUNDEU, CIMAHI SELATAN
Abstrak - Kampung Adat Cireundeu merupakan salah satu Kampung Adat yang masih eksis hingga saat ini. Kampung Adat Cireundeu terletak di Kelurahan Leuwigajah, Kecamatan Cimahi Selat...
DIDONG SEBAGAI INTI VOKAL GAYO: STUDI LAPANGAN VOKAL ACEH BERSAMA PENYANYI GAYO WIRATMADINATA DAN PETERIANA KOBAT
DIDONG SEBAGAI INTI VOKAL GAYO: STUDI LAPANGAN VOKAL ACEH BERSAMA PENYANYI GAYO WIRATMADINATA DAN PETERIANA KOBAT
Seni vokal tradisional Gayo, khususnya didong, merupakan komponen penting dari warisan budaya dan identitas etnis Aceh Tengah. Dalam konteks ini, pemutaran lagu-lagu etnik di Perpu...
URGENSI PENGATURAN HUKUM PENYIARAN ACEH BERBASIS KEARIFAN LOKAL DALAM MENGAKTUALISASI NILAI ISLAM DAN BUDAYA MASYARAKAT ACEH
URGENSI PENGATURAN HUKUM PENYIARAN ACEH BERBASIS KEARIFAN LOKAL DALAM MENGAKTUALISASI NILAI ISLAM DAN BUDAYA MASYARAKAT ACEH
Penelitian ini bertujuan menganalisis: (1). Pengaturan Hukum Penyiaran Aceh dalam mengaktualisasi nilai keislaman dan Kearifan budaya local masyarakat Aceh (2) Program Penyiaran Ac...
Evaluasi Keterampilan Dasar Sepakbola Pada Klub PSGL (Persatuan Sepakbola Gayo Lues) Kabupaten Gayo Lues
Evaluasi Keterampilan Dasar Sepakbola Pada Klub PSGL (Persatuan Sepakbola Gayo Lues) Kabupaten Gayo Lues
Penelitian yang berjudul: “Evaluasi Keterampilan Dasar Sepakbola Pada Klub PSGL (Persatuan Sepakbola Gayo Lues) Kabupaten Gayo Lues Tahun 2013”. Ini mengangkat masalah bagaimana ev...
TARI GUEL SEBAGAI IDENTITAS MASYARAKAT GAYO
TARI GUEL SEBAGAI IDENTITAS MASYARAKAT GAYO
ABSTRAKTari Guel dipahami sebagai sebuah simbolis gerak yang memberikan interaksi dinamis pada penontonnya, yaitu tentang pembentukan makna dalam realitas kehidupan sehari-hari ole...
Identifikasi Bangunan-Bangunan Peninggalan Sejarah Masa Kolonial Belanda di Pesisir Timur Aceh
Identifikasi Bangunan-Bangunan Peninggalan Sejarah Masa Kolonial Belanda di Pesisir Timur Aceh
The Dutch colonial presence in the eastern coastal region of Aceh had a significant influence on infrastructure development and cultural changes in the area. The buildings left ove...
Persepsi Alumni Program Studi Pendidikan Tata Rias Terhadap Kesesuaian Kurikulum Tata Rias Dengan Kompetensi Modifikasi Rias Pengantin Yogya Putri
Persepsi Alumni Program Studi Pendidikan Tata Rias Terhadap Kesesuaian Kurikulum Tata Rias Dengan Kompetensi Modifikasi Rias Pengantin Yogya Putri
Kurikulum merupakan satu hal penting dalam dunia pendidikan, dimana kurikulum menjadi seperangkat alat dan pedoman di dalam penyelenggaraan kegiatan pembelajaran. Penyusunan kuriku...


