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RELIEF SCULPTURE OF MUSICAL INSTRUMENTS FROM ANCIENT GERASA: A COMPARATIVE STUDY

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GERASA, in north Jordan, dating to the Roman period, has been found to contain impressive and well - Musicians and Musical instruments carving on architecture elements (pedestal or candelabrum base). The Gerasa carving expertly combined motifs with a long tradition, some going back to the Roman imperial age and earlier. This study is concerned with the musical instruments appear on architecture elements. The article provides a study of the musical instruments that can be classified into two main types: Aulos and Kithara. Purpose of this paper is to examine the details of those instruments and compare them with other musical instruments from the Roman period, where influences in design within and between regions can be seen. Wherever possible, comparative examples have been chosen from sites that are relatively nearby to establish an overview of musical instruments in the region, but also to distinguish the influences coming from Asia Minor and other areas.
Title: RELIEF SCULPTURE OF MUSICAL INSTRUMENTS FROM ANCIENT GERASA: A COMPARATIVE STUDY
Description:
GERASA, in north Jordan, dating to the Roman period, has been found to contain impressive and well - Musicians and Musical instruments carving on architecture elements (pedestal or candelabrum base).
The Gerasa carving expertly combined motifs with a long tradition, some going back to the Roman imperial age and earlier.
This study is concerned with the musical instruments appear on architecture elements.
The article provides a study of the musical instruments that can be classified into two main types: Aulos and Kithara.
Purpose of this paper is to examine the details of those instruments and compare them with other musical instruments from the Roman period, where influences in design within and between regions can be seen.
Wherever possible, comparative examples have been chosen from sites that are relatively nearby to establish an overview of musical instruments in the region, but also to distinguish the influences coming from Asia Minor and other areas.

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