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Unknown and less known icons from Praskvica monastery: Works by painter Radul, Dimitrije Daskal and Maksim Tujkovic
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This paper deals with the attribution of several icons from the treasury of
the Praskvica monastery in Pastrovici. The earliest is the icon of Great
Deesis, painted in 1680 by the painter Radul, for the iconostasis of the
monastery Church of the Holy Trinity. The works by his apprentice, Dimitrije
of Risan - the Great Deesis, the Deesis icon, and the icon of St. Demetrius
with an unknown holy woman - we repainted in 1693 and in tended for the
earlier monastery church dedicated to St. Nicholas. The same painter was the
author of the icon of the Mother of God with Christ and the Royal Deesis, in
Praskvica to day, which were painted for the iconostasis of the Church of St.
Nicholas in Podostrog. The monastery of Praskvica also houses the icons
painted by Maksim Tujkovic in 1714, the Hospitality of Abraham and the
Crucifixion, preserved in fragments, which were initially positioned on the
iconostasis in the Church of St. Nicholas.
Title: Unknown and less known icons from Praskvica monastery: Works by painter Radul, Dimitrije Daskal and Maksim Tujkovic
Description:
This paper deals with the attribution of several icons from the treasury of
the Praskvica monastery in Pastrovici.
The earliest is the icon of Great
Deesis, painted in 1680 by the painter Radul, for the iconostasis of the
monastery Church of the Holy Trinity.
The works by his apprentice, Dimitrije
of Risan - the Great Deesis, the Deesis icon, and the icon of St.
Demetrius
with an unknown holy woman - we repainted in 1693 and in tended for the
earlier monastery church dedicated to St.
Nicholas.
The same painter was the
author of the icon of the Mother of God with Christ and the Royal Deesis, in
Praskvica to day, which were painted for the iconostasis of the Church of St.
Nicholas in Podostrog.
The monastery of Praskvica also houses the icons
painted by Maksim Tujkovic in 1714, the Hospitality of Abraham and the
Crucifixion, preserved in fragments, which were initially positioned on the
iconostasis in the Church of St.
Nicholas.
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