Innovative Contributions of Georgian Composer Nodar Mamisashvili within the Realm of Ecomusicology

Since the close of the previous century, global awareness of the detrimental impact of human activities on the environment and the Earth has escalated. Consequently, there has been a heightened interest in a variety of research endeavours focusing on the harmonious coexistence of humanity and the environment. One such area of investigation that has gained attention is the intersection of sounds and the environment, leading to the emergence of an interdisciplinary scientific field known as ecomusicology since the year 2000. This article delves into the methodological approaches and key issues within the realm of ecomusicology, providing a concise overview of the field. Since 2023, researchers and composers from the Tbilisi State Conservatory, namely Eka Chabashvili, Maka (Maya) Virsaladze, Alexander Chokhonelidze, and Jony Asitashvili, have been actively engaged in fundamental research titled “Implementation of Ecomusicology Research Methodology for the Study of the Georgian Music Ecosystem” [FR-22-8174]. The project is being conducted with the support of the Shota Rustaveli National Science Foundation of Georgia. One of the primary objectives of the article is to uncover the principles that preceded the establishment of ecomusicology within the context of Georgian music. The teachings of Georgian composer, scientist, and thinker Nodar Mamisashvili serve as an illustrative example in this regard. The article highlights Mamisashvili’s role in founding the Sound Ecology Center during the 1990s, akin to contemporary ecomusicology centres around the world. It explores Mamisashvili’s conceptualization of the restoration and casting of Georgian church bells, emphasizing that, for him, the bells were not merely elements of the sonic landscape but embodied the notion of unity with the ecosystem. His inspiration drew from Georgia’s culture, history, and ancient rituals. Within the framework of holistic thinking, the article provides a brief overview of Nodar Mamisashvili’s sound field theory, the three-phase composition musical system, and the resultant acoustic event known as “Holophony.” Mamisashvili’s vast scientific interests and knowledge encompassed diverse fields such as physics, medicine, metallurgy, and mining-engineering technology. The article underscores Nodar Mamisashvili’s significant contribution to laying the groundwork for the integration of ecomusicology, asserting that his theories, research, and inventions will play a pivotal role in advancing ecomusicology in Georgia.