Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
London, Barbican: Taneyev Mini-Fest
View through CrossRef
The Russian National Orchestra and Moscow State Chamber Choir conducted by Mikhail Pletnev presented two unusually distinctive concerts at London's Barbican Hall at the end of March,3 starting with John of Damascus of 1884 – Taneyev called it Cantata No 1 – and ending the following evening with his tumultuous Cantata No 2, On the Reading of a Psalm (Po prochtenii psalma), from 30 years later. Although not claimed as such, the latter was surely a British première: not even that champion of the choral festival, Sir Henry Wood, seems to have done it.
Title: London, Barbican: Taneyev Mini-Fest
Description:
The Russian National Orchestra and Moscow State Chamber Choir conducted by Mikhail Pletnev presented two unusually distinctive concerts at London's Barbican Hall at the end of March,3 starting with John of Damascus of 1884 – Taneyev called it Cantata No 1 – and ending the following evening with his tumultuous Cantata No 2, On the Reading of a Psalm (Po prochtenii psalma), from 30 years later.
Although not claimed as such, the latter was surely a British première: not even that champion of the choral festival, Sir Henry Wood, seems to have done it.
Related Results
FIRST PERFORMANCES
FIRST PERFORMANCES
Reports from California: Holloway, Rouse, Adams Jeff DunnBrussels: ‘Spring Awakening’ Roderic DunnettLondon, Barbican: Gubaidulina Robert SteinLondon, Barbican: Bainbridge John Whe...
Olga Neuwirth's ‘Bählamms Fest’
Olga Neuwirth's ‘Bählamms Fest’
NEUWIRTH: Bählamms Fest. Klangforum Wien, c. Johannes Kalitske. Kairos 00 123 42KAI (2-disc set)....
London, Barbican: Masterprize Final
London, Barbican: Masterprize Final
There's no doubt that Masterprize, the international composition competition with a mission ‘to bring music lovers and composers closer together’, is a slick and professional opera...
London, Barbican: Michael Zev Gordon's ‘Bohortha’
London, Barbican: Michael Zev Gordon's ‘Bohortha’
Michael Zev Gordon had an intriguing idea in choosing to centre his new piece – Bohortha – on a visit he made to the small hamlet of this name that lies in a remote Cornwall penins...
London, Barbican: Vaughan Williams rarities
London, Barbican: Vaughan Williams rarities
Film music, often considered a ‘Cinderella’ art-form, is really more of a ‘Sleeping Beauty’: to a ‘first approximation’, its entire history exists on films which we are never shown...
Anna Clyne The Seamstress, Barbican Hall, London; Anna Clyne This Lunar Beauty, Wigmore Hall, London
Anna Clyne The Seamstress, Barbican Hall, London; Anna Clyne This Lunar Beauty, Wigmore Hall, London
‘Old mythologies’ have been important for some time to Anna Clyne, and they come into play again in two of her most recent works: the violin concerto The Seamstress and her brief A...
Ellen Arkbro and Marcus Pal; Claudia Molitor, Decay, hcmf//, 16 November 2019
Ellen Arkbro and Marcus Pal; Claudia Molitor, Decay, hcmf//, 16 November 2019
Ellen Arkbro has been much fêted in experimental scenes (though not – or not yet – so much in the sort of new music scenes with which hcmf// remains associated) for her two records...
Recent Results
The Trauma of Torture and the Rehabilitation of Torture Survivors
The Trauma of Torture and the Rehabilitation of Torture Survivors
The aim of torture is to cause severe pain and suffering in order to destroy the structure of the personality and the identity of the victim. Torture is applied in over a 100 count...