Javascript must be enabled to continue!
London, Barbican: Vaughan Williams rarities
View through CrossRef
Film music, often considered a ‘Cinderella’ art-form, is really more of a ‘Sleeping Beauty’: to a ‘first approximation’, its entire history exists on films which we are never shown. Prefatory to the 2003 Musicians Benevolent Fund Royal Concert on 4 November, however, the Barbican cinema presented an early-evening resuscitation of no fewer than four long-dormant items connected in some way with Vaughan Williams, two of whose orchestral works were programmed to follow.
Title: London, Barbican: Vaughan Williams rarities
Description:
Film music, often considered a ‘Cinderella’ art-form, is really more of a ‘Sleeping Beauty’: to a ‘first approximation’, its entire history exists on films which we are never shown.
Prefatory to the 2003 Musicians Benevolent Fund Royal Concert on 4 November, however, the Barbican cinema presented an early-evening resuscitation of no fewer than four long-dormant items connected in some way with Vaughan Williams, two of whose orchestral works were programmed to follow.
Related Results
FIRST PERFORMANCES
FIRST PERFORMANCES
Reports from California: Holloway, Rouse, Adams Jeff DunnBrussels: ‘Spring Awakening’ Roderic DunnettLondon, Barbican: Gubaidulina Robert SteinLondon, Barbican: Bainbridge John Whe...
‘A London Symphony’ and ‘Tono-Bungay’
‘A London Symphony’ and ‘Tono-Bungay’
SHORTLY BEFORE HIS DEATH in 1958 Vaughan Williams told Michael Kennedy, who was already committed to writing the composer's ‘musical biography’, that the coda or Epilogue to the fi...
London, Barbican: Masterprize Final
London, Barbican: Masterprize Final
There's no doubt that Masterprize, the international composition competition with a mission ‘to bring music lovers and composers closer together’, is a slick and professional opera...
London, Barbican: Taneyev Mini-Fest
London, Barbican: Taneyev Mini-Fest
The Russian National Orchestra and Moscow State Chamber Choir conducted by Mikhail Pletnev presented two unusually distinctive concerts at London's Barbican Hall at the end of Marc...
London, Barbican: Michael Zev Gordon's ‘Bohortha’
London, Barbican: Michael Zev Gordon's ‘Bohortha’
Michael Zev Gordon had an intriguing idea in choosing to centre his new piece – Bohortha – on a visit he made to the small hamlet of this name that lies in a remote Cornwall penins...
Turco-Sogdian Documents from 9th–10th Century Dunhuang. By Nicholas Sims-Williams and James Hamilton. Translated by Nicholas Sims-Williams, with an appendix by Wen Xin
Turco-Sogdian Documents from 9th–10th Century Dunhuang. By Nicholas Sims-Williams and James Hamilton. Translated by Nicholas Sims-Williams, with an appendix by Wen Xin
Turco-Sogdian Documents from 9th–10th Century Dunhuang. By Nicholas Sims-Williams and James Hamilton. Translated by Nicholas Sims-Williams, with an appendix by...
Raymond Williams, Marxism and Literature (1977)
Raymond Williams, Marxism and Literature (1977)
This article focuses on two of the most enduring terms in Raymond Williams’s Marxism and Literature: “dominant, residual, emergent” and “structures of feeling.” Williams’s theory o...