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Suikoden (Tales of the Water Margin)
View through Harvard Museums
Paper cover.
Department of Asian Art
Harvard Art Museums/Arthur M. Sackler Museum Bequest of the Hofer Collection of the Arts of Asia
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The Actor Kawarazaki Gonjūrō I as Ude no Kisaburō, likened to Wu Song the Ascetic (Gyōja Bushō ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)
The Actor Kawarazaki Gonjūrō I as Ude no Kisaburō, likened to Wu Song the Ascetic (Gyōja Bushō ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)
Left sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper, Edo period (1615–1868), Japan...
Three Heroes of the Water Margin Capture the Bandit Queen Ichijōsei, from the series One Hundred Eight Heroes of the Theater Suikoden
Three Heroes of the Water Margin Capture the Bandit Queen Ichijōsei, from the series One Hundred Eight Heroes of the Theater Suikoden
Tetraptych of woodblock prints (nishiki-e); ink and color on paper; vertical ōban, Edo period (1615–1868), Japan...
Ichimura Takenojō V as Yukanba Kozō Kichiza, from A Modern Water Margin (Kinsei suikoden)
Ichimura Takenojō V as Yukanba Kozō Kichiza, from A Modern Water Margin (Kinsei suikoden)
Woodblock print; ink and color on paper, Edo period (1615–1868), Japan...
Pond with Water Lilies
Pond with Water Lilies
From his earliest years as a painter, Monet’s art was rooted in the direct and prolonged analysis of nature. Throughout his career, he grappled with the task of developing techniqu...

