Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Liquid chromatography as analytical tool for the study of natural and early synthetic dyes in traditional Saxon textiles

View through CrossRef
Abstract Confirmed since the 12-th century, the Saxon community in Transylvania developed over the years in a rigorous powerful society, with its own lifestyle, social, economic, cultural and artistic standards. Together with research in historic documents, this society is now revealed by material studies of 18-th to 20-th century objects in the Emil Sigerius collection, preserved in the ASTRA Museum, Sibiu. Embroideries made in Saxon households as well as representative Saxon coats manufactured in workshops and dated between 1892 and 1908 (years embroidered on objects) were studied in terms of dye analysis in order to understand if adoption of new materials goes together with the stylistic improvements. Dye analysis were performed by liquid chromatography with UV-Vis and mass spectrometric detection (LC-DAD-MS), nowadays the most appropriate technique for the characterization and identification of colour components in heritage textiles. MS/MS detection, in its tri-quadrupolar architecture, with the middle quadrupole used as collision cell, was used to achieve undoubted identification of each dye in a complex matrix. Construction of suitable spectral libraries through studies on standard dyes and dyed textiles definitely improved the ability to undoubtedly detect natural and early synthetic dyes. Identification of fuchsine (1856), methyl violet (1861), orange II (1876) brilliant green (1879), quinoline yellow (1881) and rhodamine B (1887) in textiles dated about 20 years after the dyes first synthesis prove that transition from natural to synthetic dyes in the Saxon community was very fast, especially in what textiles made in specialized workshops are concerned. The analytical technique used for the natural and early synthetic dyes characterisation and identification, and especially the triple quadrupole mass spectrometer with its possibility for tuning the selectivity through appropriately exploiting the functioning modes, as well as to increase sensitivity, confirms its ability in studies aiming in understanding textiles through dye analysis and promotes the use of advanced analytical techniques in heritage science applications.
Title: Liquid chromatography as analytical tool for the study of natural and early synthetic dyes in traditional Saxon textiles
Description:
Abstract Confirmed since the 12-th century, the Saxon community in Transylvania developed over the years in a rigorous powerful society, with its own lifestyle, social, economic, cultural and artistic standards.
Together with research in historic documents, this society is now revealed by material studies of 18-th to 20-th century objects in the Emil Sigerius collection, preserved in the ASTRA Museum, Sibiu.
Embroideries made in Saxon households as well as representative Saxon coats manufactured in workshops and dated between 1892 and 1908 (years embroidered on objects) were studied in terms of dye analysis in order to understand if adoption of new materials goes together with the stylistic improvements.
Dye analysis were performed by liquid chromatography with UV-Vis and mass spectrometric detection (LC-DAD-MS), nowadays the most appropriate technique for the characterization and identification of colour components in heritage textiles.
MS/MS detection, in its tri-quadrupolar architecture, with the middle quadrupole used as collision cell, was used to achieve undoubted identification of each dye in a complex matrix.
Construction of suitable spectral libraries through studies on standard dyes and dyed textiles definitely improved the ability to undoubtedly detect natural and early synthetic dyes.
Identification of fuchsine (1856), methyl violet (1861), orange II (1876) brilliant green (1879), quinoline yellow (1881) and rhodamine B (1887) in textiles dated about 20 years after the dyes first synthesis prove that transition from natural to synthetic dyes in the Saxon community was very fast, especially in what textiles made in specialized workshops are concerned.
The analytical technique used for the natural and early synthetic dyes characterisation and identification, and especially the triple quadrupole mass spectrometer with its possibility for tuning the selectivity through appropriately exploiting the functioning modes, as well as to increase sensitivity, confirms its ability in studies aiming in understanding textiles through dye analysis and promotes the use of advanced analytical techniques in heritage science applications.

Related Results

Extraction of Dyes from Parts of the Plants and their Phytochemical Screening
Extraction of Dyes from Parts of the Plants and their Phytochemical Screening
The primary goal of obtaining dyes from natural plant sources is to prevent pollution of the environment. Any color, pigment or material originating from organic materials plants, ...
Application of Smart and Functional Dyes in Textiles
Application of Smart and Functional Dyes in Textiles
Our future will be based on functional and AI based smart products, where every industry wants to develop these kinds of products. Textile industry also cannot remain untouched wit...
Liquid chromatography as analytical tool for the study of natural and early synthetic dyes in traditional Saxon textiles
Liquid chromatography as analytical tool for the study of natural and early synthetic dyes in traditional Saxon textiles
Abstract Confirmed since the twelth century, the Saxon community in Transylvania developed over the years in a rigorous powerful society, with its own lifestyle, social, ...
A comprehensive study of natural and synthetic dyes: their properties, methods of preparation, and uses
A comprehensive study of natural and synthetic dyes: their properties, methods of preparation, and uses
The use of natural dyes in the dying process was one of the oldest procedures used by the ancients. Obtaining dyes from natural sources means extracting them from plants and animal...
Studies of Dye-Titania Interactions in Dye-sensitised Solar Cells
Studies of Dye-Titania Interactions in Dye-sensitised Solar Cells
This work details the synthesis of several bespoke materials to derivatise the surface of titania (TiO2) in order to obtain greater understanding of the sensitisation process in dy...
Antimicrobial Activity of Natural and Synthetic Dyes Used in Leather Dyeing: A Comparative Study
Antimicrobial Activity of Natural and Synthetic Dyes Used in Leather Dyeing: A Comparative Study
Both natural and synthetic dyes have gained increasing attention in the leather dyeing process due to environmental and health considerations. This research was designed to determi...
Penggunaan Pewarna Sintetis Dan Alam Pada Lukis Kain
Penggunaan Pewarna Sintetis Dan Alam Pada Lukis Kain
Coloring materials for fabric painting can be produced from natural dyes and synthetic dyes. Natural and synthetic dyes have their respective advantages and disadvantages. The comb...
Azo Dyes, 3. Direct (Substantive) Dyes
Azo Dyes, 3. Direct (Substantive) Dyes
Abstract The article contains sections titled: ...

Back to Top