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Front view of Mahishamardani cave, Mahabalipuram
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Watercolour of the Mahishamardani cave in
Mamallapuram, Tamil Nadu, Thomas Colman Dibdin (1810-1893),
c.1845.This drawing is for Dibdin's lithograph which was reproduced
as plate 17 in J. Fergusson's 'Illustrations of the rock cut
temples of India', published in London in 1845. Mamallapuram, a
tiny village south of Chennai (Madras), was a flourishing port of
the Pallava dynasty from the 5th - 8th centuries. The site is
famous for a group of temples, a series of rock-cut caves and
monolithic sculptures that were most likely created in the 7th
century reign of Narasimhavarman Mahamalla. The caves are all
fronted with fine columns resting on seated lions, typical of the
Pallava style. This view depicts the Mahishamardini Cave Temple
which consists of a long verandah with fluted columns and three
shrines. It is famous for the large sculpture panels on the side
walls of the shrines, considered among the masterpieces of Pallava
art.
Title: Front view of Mahishamardani cave, Mahabalipuram
Description:
Watercolour of the Mahishamardani cave in
Mamallapuram, Tamil Nadu, Thomas Colman Dibdin (1810-1893),
c.
1845.
This drawing is for Dibdin's lithograph which was reproduced
as plate 17 in J.
Fergusson's 'Illustrations of the rock cut
temples of India', published in London in 1845.
Mamallapuram, a
tiny village south of Chennai (Madras), was a flourishing port of
the Pallava dynasty from the 5th - 8th centuries.
The site is
famous for a group of temples, a series of rock-cut caves and
monolithic sculptures that were most likely created in the 7th
century reign of Narasimhavarman Mahamalla.
The caves are all
fronted with fine columns resting on seated lions, typical of the
Pallava style.
This view depicts the Mahishamardini Cave Temple
which consists of a long verandah with fluted columns and three
shrines.
It is famous for the large sculpture panels on the side
walls of the shrines, considered among the masterpieces of Pallava
art.
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