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f.25 Dumar Lena Cave with sculpture of Ravana rocking Mount Kailasa, Cave 29, Ellora. 'Entrance to Dhurma Lena. Septr. 25.'
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Wash and watercolour drawing of the sculpture of
Ravana shaking Mount Kailasa from Dhumar Lena, Cave 29 at Ellora,
from an Album of 83 drawings; 80 of landscapes and antiquities in
the northem Deccan, 2 portraits and 1 flower study made during a
tour chiefly to Ellora, Rauza, Daulatabad, Aurangabad and Ajanta.
September to November 1849. Although the artist is unidentified,
these drawings are of some interest since they show the state of
the Ajanta and Ellora Caves soon after the Royal Asiatic Society
had brought them to the Company's notice in 1844. Robert Gill had
been deputed to make a record of Ajanta in 1846 and was presumably
on the spot when these sketches were made.The spectacular site of
Ellora, in Maharashtra, is famous for its series of Buddhist, Hindu
and Jain cave temples excavated into the rocky façade of a cliff
of basalt along more than 2 km. The works were done under the
patronage of the Kalachuri, the Chalukya and the Rashtrakuta
dynasties between the sixth and the ninth centuries. Dhumar Lena is
one of the earliest caves of the Hindu series and dates from the
Kalachuri period, early 6th century, as denoted by the similarity
between its columns and those at the Elephanta cave. Large-scale
sculpted wall panels on the sides represent Shaivite myths. The
sculpture depicted in this drawing represents Ravana shaking the
abode of Shiva and Parvati in the Himalayas.
Title: f.25 Dumar Lena Cave with sculpture of Ravana rocking Mount
Kailasa, Cave 29, Ellora. 'Entrance to Dhurma Lena. Septr.
25.'
Description:
Wash and watercolour drawing of the sculpture of
Ravana shaking Mount Kailasa from Dhumar Lena, Cave 29 at Ellora,
from an Album of 83 drawings; 80 of landscapes and antiquities in
the northem Deccan, 2 portraits and 1 flower study made during a
tour chiefly to Ellora, Rauza, Daulatabad, Aurangabad and Ajanta.
September to November 1849.
Although the artist is unidentified,
these drawings are of some interest since they show the state of
the Ajanta and Ellora Caves soon after the Royal Asiatic Society
had brought them to the Company's notice in 1844.
Robert Gill had
been deputed to make a record of Ajanta in 1846 and was presumably
on the spot when these sketches were made.
The spectacular site of
Ellora, in Maharashtra, is famous for its series of Buddhist, Hindu
and Jain cave temples excavated into the rocky façade of a cliff
of basalt along more than 2 km.
The works were done under the
patronage of the Kalachuri, the Chalukya and the Rashtrakuta
dynasties between the sixth and the ninth centuries.
Dhumar Lena is
one of the earliest caves of the Hindu series and dates from the
Kalachuri period, early 6th century, as denoted by the similarity
between its columns and those at the Elephanta cave.
Large-scale
sculpted wall panels on the sides represent Shaivite myths.
The
sculpture depicted in this drawing represents Ravana shaking the
abode of Shiva and Parvati in the Himalayas.
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