Implication of White and Red Colors in The Glorious Quran, A Critical Stylistic Study

                                                            ABSTRACT  The current research identifies the implications of two colors that are presented in The Glorious Quran, white and red. The researcher selected Ayas and Suras that contain these colors then analyze  according to the adopted model. There are (14) Ayas in (12) Suras where these two colors are presented. The study aims at identifying the most frequent color and the least frequent one, what ideologies are hidden behind using them in The Glorious Quran, and what stylistic tools are showed to analyze them and which one is not utilized. In association with the aims, the study sets out three hypotheses: (1) white color is  more utilized in The Glorious Quran than red one , (2) each color has a specific ideology to be mentioned  in The Glorious Quran, (3) naming a describing tool is the most frequent one while negating and hypothesizing are not present. To verify hypotheses and achieve the aims of the study, Jeffries'(2010) model is used which composed of the toolkits that manifest the analysis of critical stylistic perspective. Based on the findings,  the study concludes that: (1) white color has recorded the highest frequent whereas, red has achieved least frequent, (2) each color presents  specific ideologies when used in The Glorious Quran, (3) naming and describing tools are more frequent than others whereas, negating and hypothesizing  have receded zero occurrence in analyzing these two colors from critical  stylistic perspectives.