Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Acting Christ: The Christocentric Exemplarism of Gerard Manley Hopkins

View through CrossRef
Abstract Critics and biographers have long expressed misgivings about Gerard Manley Hopkins’ ethical perspective. Characterising him as overly ‘morbid’ or ‘scrupulous’, they present his moral preoccupations as injurious to his imagination. Here I offer a fuller, more sympathetic account of Hopkins’ moral theology, showing three key ways that morality not only harmonises with but actually provides a central, productive focus in his works. Drawing upon the recent work of Linda Zagzebski, I characterise Hopkins as a Christocentric moral exemplarist, one who prioritises persons over principles, finds motivation in the emotion of admiration, and understands all moral acts as acts of emulation.
Oxford University Press (OUP)
Title: Acting Christ: The Christocentric Exemplarism of Gerard Manley Hopkins
Description:
Abstract Critics and biographers have long expressed misgivings about Gerard Manley Hopkins’ ethical perspective.
Characterising him as overly ‘morbid’ or ‘scrupulous’, they present his moral preoccupations as injurious to his imagination.
Here I offer a fuller, more sympathetic account of Hopkins’ moral theology, showing three key ways that morality not only harmonises with but actually provides a central, productive focus in his works.
Drawing upon the recent work of Linda Zagzebski, I characterise Hopkins as a Christocentric moral exemplarist, one who prioritises persons over principles, finds motivation in the emotion of admiration, and understands all moral acts as acts of emulation.

Related Results

Gerard Manley Hopkins, an Environmentalist Poet with a Trinitarian Dimension and Even Trinitarian Humor
Gerard Manley Hopkins, an Environmentalist Poet with a Trinitarian Dimension and Even Trinitarian Humor
Abstract Hopkins’s environmental poem “Ribblesdale” (1882) shows his creative processes as it celebrates nature and language. It even visualizes God the Father creating the wor...
Gerard Manley Hopkins and Ruskin’s Idea of the Christian Artist
Gerard Manley Hopkins and Ruskin’s Idea of the Christian Artist
Abstract John Ruskin gave Gerard Manley Hopkins an aesthetic vocabulary imbued with Christian concepts of obedience, sacrifice, truth, and Divine Beauty. Even secular art is ne...
Gerard Manley Hopkins and the Spell of John Duns Scotus
Gerard Manley Hopkins and the Spell of John Duns Scotus
The Early Mediaeval Scottish philosopher and theologian John Duns Scotus shook traditional doctrines of logical universality and logical particularity by arguing for a metaphysics ...
Catholic Predilections in the Poetics of Gerard Manley Hopkins and Seamus Heaney
Catholic Predilections in the Poetics of Gerard Manley Hopkins and Seamus Heaney
AbstractSeamus Heaney has reiterated the importance of Gerard Manley Hopkins in shaping his own poetic voice. This essay studies the way Hopkins’s and Heaney’s poetics are related ...
Seamus Heaney’s Hopkins
Seamus Heaney’s Hopkins
Critics have often located Seamus Heaney’s response to Gerard Manley Hopkins within Heaney’s early poetry, but Heaney never fully escaped from Hopkins’s influence; he looked early ...
Hansen’s Hopkins
Hansen’s Hopkins
Ron Hansen’s Exiles (2009), a fictionalization of the writing of “The Wreck of the Deutschland,” presents a transformation of Gerard Manley Hopkins into “a postmodern fictional pro...
Gerard Manley Hopkins and Geoffrey Hill
Gerard Manley Hopkins and Geoffrey Hill
Literary influence is rarely as simple as locating the language of one writer in the work of another. Often it comes by way of, or in correspondence with, other writers, part of a ...
Gerard Manley Hopkins’s Incarnational Ecology
Gerard Manley Hopkins’s Incarnational Ecology
This essay examines Hopkins’s “Binsey Poplars” from an incarnational theological lens. Such a reading negotiates seemingly incongruent arguments put forth by Post, who argues that ...

Back to Top