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(Re)claiming the Heritage: The Narratives of Manuel Veiga

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Abstract: Manuel Veiga’s concern in Odju d’Agu and Diário das Ilhas is a specific Cape Verde to replace the colonial legacy. Odju d’Agu is a textual prescription for becoming Cape Verdean. It is rooted in the language and approach of Cape Verde’s oral storytelling tradition and framed with a tale-telling session to show that the tradition can serve to (dis)articulate the hierarchies of the past and point the way to a progressive future. Diári das Ilhas is a textual itinerary for the discovery of Cape Verde. It imaginatively and poetically (re)invents a past for the archipelago that showcases the importance of Cape Verde’s African heritage and gives voice to Jorge Barbosa and a number of other Cape Verdean poets. In both of those texts, Manuel Veiga seeks to address the issue of a postcolonial identity for Cape Verde, (re)capture an historical initiative for the Cape Verdean community, and (re)site Cape Verde as the locus of its own experience.
University of Massachusetts Dartmouth
Title: (Re)claiming the Heritage: The Narratives of Manuel Veiga
Description:
Abstract: Manuel Veiga’s concern in Odju d’Agu and Diário das Ilhas is a specific Cape Verde to replace the colonial legacy.
Odju d’Agu is a textual prescription for becoming Cape Verdean.
It is rooted in the language and approach of Cape Verde’s oral storytelling tradition and framed with a tale-telling session to show that the tradition can serve to (dis)articulate the hierarchies of the past and point the way to a progressive future.
Diári das Ilhas is a textual itinerary for the discovery of Cape Verde.
It imaginatively and poetically (re)invents a past for the archipelago that showcases the importance of Cape Verde’s African heritage and gives voice to Jorge Barbosa and a number of other Cape Verdean poets.
In both of those texts, Manuel Veiga seeks to address the issue of a postcolonial identity for Cape Verde, (re)capture an historical initiative for the Cape Verdean community, and (re)site Cape Verde as the locus of its own experience.

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