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Creating a sense of place in fantasy fiction
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This paper focuses on the reader’s experience of setting or ‘place’ in fantasy fiction. While in manywritten genres the setting is considered ‘background’, in fantasy fiction it often becomes one of the keyelements of the narrative. Creating a vivid setting without losing the interest of readers is integral tothe success of a fantasy work, and as such it warrants close investigation. The discussion throughoutthe paper involves a critical analysis of current theories and insights proposed by writers and reader-response critics in relation to the creation of a sense of place. It is argued that existing literature thatprovides advice, theory, and guidance to writers usually places emphasis on character developmentand narrative structure, often with a limited or author-focussed consideration of setting. Yet reader-response critics like Wolfgang Iser have examined how readers ‘complete’ the world of the text, andthese critical insights could aid writers of creative fiction in refining their practice. For this reason, theauthor contends that the development of a set of understandings or principles that balances reader-response theories with writing practice is an important way forward in thinking about the creation ofplace in fantasy fiction.
Title: Creating a sense of place in fantasy fiction
Description:
This paper focuses on the reader’s experience of setting or ‘place’ in fantasy fiction.
While in manywritten genres the setting is considered ‘background’, in fantasy fiction it often becomes one of the keyelements of the narrative.
Creating a vivid setting without losing the interest of readers is integral tothe success of a fantasy work, and as such it warrants close investigation.
The discussion throughoutthe paper involves a critical analysis of current theories and insights proposed by writers and reader-response critics in relation to the creation of a sense of place.
It is argued that existing literature thatprovides advice, theory, and guidance to writers usually places emphasis on character developmentand narrative structure, often with a limited or author-focussed consideration of setting.
Yet reader-response critics like Wolfgang Iser have examined how readers ‘complete’ the world of the text, andthese critical insights could aid writers of creative fiction in refining their practice.
For this reason, theauthor contends that the development of a set of understandings or principles that balances reader-response theories with writing practice is an important way forward in thinking about the creation ofplace in fantasy fiction.
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