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Cantar lo que se rompe: 'El libro de Cartago' de Juan Eduardo Cirlot
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The main aim of this work is to analyse El libro de Cartago by poet and symbologist Juan Eduardo Cirlot. To this end, we will proceed to the hermeneutic analysis of the different poems that make up the book, as well as to the genetic analysis of the manuscripts and correspondence that preceded its publication in 1947. Specifically, we will focus on the symbol embodied by the city of Carthage as an emblem of lost greatness and the ontological quest of the poetic voice.
El presente trabajo tiene como objetivo principal ahondar en El libro de Cartago del poeta y simbólogo Juan Eduardo Cirlot a la luz del contexto de la poesía española de posguerra. Para ello, se procederá al análisis hermenéutico de los diferentes poemas que conforman el libro, así como al análisis genético de los manuscritos y la correspondencia que precede a la edición del libro en 1947. En concreto, nos centraremos en el símbolo que ocupa la ciudad de Cartago como insignia de la grandeza perdida y la búsqueda ontológica de la voz poética.
Title: Cantar lo que se rompe: 'El libro de Cartago' de Juan Eduardo Cirlot
Description:
The main aim of this work is to analyse El libro de Cartago by poet and symbologist Juan Eduardo Cirlot.
To this end, we will proceed to the hermeneutic analysis of the different poems that make up the book, as well as to the genetic analysis of the manuscripts and correspondence that preceded its publication in 1947.
Specifically, we will focus on the symbol embodied by the city of Carthage as an emblem of lost greatness and the ontological quest of the poetic voice.
El presente trabajo tiene como objetivo principal ahondar en El libro de Cartago del poeta y simbólogo Juan Eduardo Cirlot a la luz del contexto de la poesía española de posguerra.
Para ello, se procederá al análisis hermenéutico de los diferentes poemas que conforman el libro, así como al análisis genético de los manuscritos y la correspondencia que precede a la edición del libro en 1947.
En concreto, nos centraremos en el símbolo que ocupa la ciudad de Cartago como insignia de la grandeza perdida y la búsqueda ontológica de la voz poética.
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