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f.2 Ramesvara Cave, Cave 21, Ellora. 'Rameshwur. Ellora. Septr 15'.
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Wash drawing of the interior of Rameshvara, Cave
21 at Ellora, from an Album of 83 drawings; 80 of landscapes and
antiquities in the northem Deccan, 2 portraits and 1 flower study
made during a tour chiefly to Ellora, Rauza, Daulatabad, Aurangabad
and Ajanta. September to November 1849. Although the artist is
unidentified, these drawings are of some interest since they show
the state of the Ajanta and Ellora Caves soon after the Royal
Asiatic Society had brought them to the Company's notice in 1844.
Robert Gill had been deputed to make a record of Ajanta in 1846 and
was presumably on the spot when these sketches were made.The
spectacular site of Ellora, in Maharashtra, is famous for its
series of Buddhist, Hindu and Jain cave temples excavated into the
rocky façade of a cliff of basalt. The works were done under the
patronage of the Kalachuri, the Chalukya and the Rashtrakuta
dynasties between the sixth and the ninth centuries. The Hindu cave
of Rameshvara was excavated in the late 6th century. The cave is
adorned with a series of finely executed, fully modelled
sculptures. A courtyard with Nandi seated on a plinth on the middle
and side shrines leads to the verandah. Large figural panel in the
verandah depicts various scenes in which Shiva and Parvati are
involved. This drawing depicts part of the interior of the verandah
with massive pillars with suare and fluted shafts ornate with
scrollwork and carved medallions. The sanctuary doorway flanked by
large guardian figures of dvarapalas can be seen behind the
pillars.
Title: f.2 Ramesvara Cave, Cave 21, Ellora. 'Rameshwur. Ellora.
Septr 15'.
Description:
Wash drawing of the interior of Rameshvara, Cave
21 at Ellora, from an Album of 83 drawings; 80 of landscapes and
antiquities in the northem Deccan, 2 portraits and 1 flower study
made during a tour chiefly to Ellora, Rauza, Daulatabad, Aurangabad
and Ajanta.
September to November 1849.
Although the artist is
unidentified, these drawings are of some interest since they show
the state of the Ajanta and Ellora Caves soon after the Royal
Asiatic Society had brought them to the Company's notice in 1844.
Robert Gill had been deputed to make a record of Ajanta in 1846 and
was presumably on the spot when these sketches were made.
The
spectacular site of Ellora, in Maharashtra, is famous for its
series of Buddhist, Hindu and Jain cave temples excavated into the
rocky façade of a cliff of basalt.
The works were done under the
patronage of the Kalachuri, the Chalukya and the Rashtrakuta
dynasties between the sixth and the ninth centuries.
The Hindu cave
of Rameshvara was excavated in the late 6th century.
The cave is
adorned with a series of finely executed, fully modelled
sculptures.
A courtyard with Nandi seated on a plinth on the middle
and side shrines leads to the verandah.
Large figural panel in the
verandah depicts various scenes in which Shiva and Parvati are
involved.
This drawing depicts part of the interior of the verandah
with massive pillars with suare and fluted shafts ornate with
scrollwork and carved medallions.
The sanctuary doorway flanked by
large guardian figures of dvarapalas can be seen behind the
pillars.
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