Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Horror and Fantasy in The Mummy

View through CrossRef
This chapter explores the horror and fantasy in The Mummy (1932). Universal Pictures' treatments of the vampire and werewolf themes had specific bodies of folklore to draw upon for inspiration, but as The Mummy featured what was for all intents and purposes a new variety of monster, the studio had a blank slate. The film not only introduced audiences to the living mummy Imhotep but also transported them to an entire world of gods, magic, and curses. As well as taking inspiration from weird fiction and popular Egyptology, The Mummy frequently uses contemporary horror films as reference points, synthesising both old and new to create the latest movie monster. In doing so, it established most of the conventions that would be re-used in later mummy films.
Liverpool University Press
Title: Horror and Fantasy in The Mummy
Description:
This chapter explores the horror and fantasy in The Mummy (1932).
Universal Pictures' treatments of the vampire and werewolf themes had specific bodies of folklore to draw upon for inspiration, but as The Mummy featured what was for all intents and purposes a new variety of monster, the studio had a blank slate.
The film not only introduced audiences to the living mummy Imhotep but also transported them to an entire world of gods, magic, and curses.
As well as taking inspiration from weird fiction and popular Egyptology, The Mummy frequently uses contemporary horror films as reference points, synthesising both old and new to create the latest movie monster.
In doing so, it established most of the conventions that would be re-used in later mummy films.

Related Results

The Legacy of The Mummy
The Legacy of The Mummy
This chapter highlights the legacy of The Mummy (1932). Ever since the 1930s, the plot elements and iconography of the film have been re-used, re-interpreted, and re-worked in myri...
Introduction
Introduction
This introductory chapter provides an overview of The Mummy (1932). While the setting and concepts of The Mummy were relatively new to horror cinema as it existed in 1932, the film...
Conversations with The Mummy: Critical Reactions
Conversations with The Mummy: Critical Reactions
This chapter describes the critical reception of The Mummy (1932). When the film was screened, professional film critics were intrigued by the central figure of Boris Karloff, the ...
ФЭНТЕЗИ ВА ФАНТАСТИК АСАРЛАР МИКРООЛАМИ
ФЭНТЕЗИ ВА ФАНТАСТИК АСАРЛАР МИКРООЛАМИ
Мақолада инсон хаёлоти маҳсули бўлган фэнтезива фантастика феноменига муносабат билдирилган. Бу икки дунёнинг ички кўриниши, ўхшаш ва фарқли жиҳатлари диаграммалар ёрдамида а...
The Egypt of The Mummy
The Egypt of The Mummy
This chapter assesses how The Mummy (1932) approaches ancient Egypt and the ways in which it reflects contemporary attitudes towards the place and era. Although set almost entirely...
Joseph Rex Young: George R.R. Martin and the Fantasy Form, New York: Routledge, 2019
Joseph Rex Young: George R.R. Martin and the Fantasy Form, New York: Routledge, 2019
Joseph Rex Young’s book titled George R.R. Martin and the Fantasy Form fills a tremendous gap that has been present in contemporary fantasy studies: while several books have been w...
Horror motifs in E. Verkin’s novel “Snark Snark”
Horror motifs in E. Verkin’s novel “Snark Snark”
The article is dedicated to the modern Russian writer E. Verkin. His novel “Snark Snark” was analysed using the methods of a motif analysis and the elements of a comparative and my...
Monsters in contemporary Thai horror film: image, representation and meaning
Monsters in contemporary Thai horror film: image, representation and meaning
The purpose of this study was to illustrate how the images of monsters are projected in Thai horror film and to examine the metaphorical meaning and representations of monsters. Th...

Back to Top