The paintings of Hugh H. Breckenridge, 1870-1927

This chapter focuses on the influential twelfth-century theologian Hugh of St Victor, a canon regular bridging the monastic and scholastic worlds in Paris. The chapter argues that ...

In Chapter 2 the author proposed that by ‘grey’ in ‘The patch looks grey to you’ we mean two things—the property of being grey, and a certain way of looking (which are distinct thi...

In arguing that to have a visual experience with character c is to have a visual experience that is occurring in way w the author has assumed that there is a reading of ‘The patch ...

This chapter explains what the author is trying to do—to clarify, for any character c, what it is to have a visual experience with character c; and how he tries to do it—by clarify...

In this chapter a theory is developed of how we use ‘grey’ in ‘The patch looks grey to you’ to refer to the way of looking w. The author proposes that we exploit a general mechanis...

There are various phenomena to do with visual experiences and their characters that a theory of visual experience ought to allow for and, even better, be able to explain. In Chapte...

In Chapters 2–8 the author considered a particular character, c1, and argued that there is a certain way of looking such that to have a visual experience with character c1 is to ha...

In Chapters 2–7 the author focused on one particular ‘look’ sentence that we might use to say that you have a visual experience of the patch with character c1—‘The patch looks grey...