Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Crime + Punishment

View through CrossRef
Distributed by Good DocsProduced by Stephen Maing, Ross Tuttle, and Eric Daniel MetzgarDirected by Stephen Maing2018, Streaming, 112 mins Crime + Punishment is a poignant documentary that takes on the New York City Police Department (NYPD) and challenges a system that disproportionally targets black and Latino communities. Director Stephen Maing embeds himself into the personal lives of the officers, a private investigator, and several families in the Bronx and Brooklyn areas of New York City who risked their livelihoods in the name of justice. As a silent witness to these events, Maing creates a compelling film centered on the group known as the NYPD 12, who filed a class action lawsuit (settled in 2017) against the police after facing retaliation for refusing to meet arrest quotas. Spanning several years from 2014 to 2017, Crime + Punishment provides a critical look at how NYPD officers in minority communities are encouraged to “jump to the arrest” in order meet quotas that have been illegal since 2010. Several black and Latino officers who attempt push back against this model face retaliation, including reassignment of their duties, slander, negative performance reviews, and withholding of promotion. One of the sharpest examples of this is Officer Edwin Raymond, who is continually passed over for promotion, despite receiving high marks on his sergeant exam. It is, as Edwin Raymond states, a “David versus Goliath” fight for all those who have spoken out, especially with the lawsuit looming over each of their careers and family lives. The film does an excellent job of highlighting the proof supporting officers’ claims. Several of the NYPD 12 are recorded receiving unwarranted reprimands and even mocking speeches from their superiors while on the job. This, combined with personal documentation from officers tracking the retaliatory actions, gives the additional evidence that one would expect of such a documentary. Not only do officers face discrimination under these quotas, but the communities themselves are targeted by the NYPD, resulting in a five times greater arrest rate of minorities over whites. Although charges are often dropped, young minorities are still exposed to rough handling, lengthy summonses, and jail time. Most prominent of these stories is Pedro Hernandez, a 17-year-old arrested and sent to Rikers Island for attempted murder. Ex-NYPD and private investigator Manuel Gomez works with Hernandez’s mother to clear Hernandez of these charges, providing a personal illustration of how being targeted affects urban youths and their entire family. Throughout the documentary, Gomez helps not only the Hernandez family, but other community members in reporting unethical officer behavior and exposing falsified arrests. There are several public statements from the NYPD shown throughout the film, although they are never interviewed directly. Whether this a purposeful omission or because no one was willing to speak with Maing is not clear. Given the several year timeframe and multi-story structure, the 2-hour length feels just right. With several intertwining stories and rough footage, it would be easy for the viewer to get lost, but the film does an excellent job of keeping the viewer on track with the use of text labels and transitions. Other than a brief opening, there is no narration by Maing, which allows the voices of the officers and families to remain prominent throughout the film. The use of hidden mics and interactions seen from hidden cameras captures raw, rarely seen moments between officers and their superiors. Viewers should recognize the divisive nature of the topic but also the potential for education and discussion. It is not surprising that this film has won numerous awards, including an Emmy for Outstanding Social Issue Documentary. Crime + Punishment is a powerful documentary that takes the viewer from an intimate cafe conversation to a Rikers’ cells. It is highly recommended for study in Criminal Justice, Sociology, and Urban Studies. Awards Independent Film Festival of Boston 2018 Grand Jury Prize for Documentary Feature and Best Documentary; International Documentary Association 2018 Courage Under Fire Award; Mammoth Lakes Film Festival 2018 Audience Award for Best Documentary; Montclair Film Festival (MFF) 2018 Junior Jury Special Jury Prize; National Board of Review, USA 2018 NBR Award for Top Five Documentaries; News & Documentary Emmy Award 2019 for Outstanding Social Issue Documentary; Queen Palm International Film Festival 2019 Annual Grand Jury Prize; Sundance Film Festival 2018 Special Jury Prize for Social Impact Documentary; The Loft Film Fest 2018 Social Justice Award; Victoria TX Indie Film Fest 2018 Jury Prize for Best Documentary; Shortlisted for the 91st Academy Awards (2019) in Documentary feature category
Title: Crime + Punishment
Description:
Distributed by Good DocsProduced by Stephen Maing, Ross Tuttle, and Eric Daniel MetzgarDirected by Stephen Maing2018, Streaming, 112 mins Crime + Punishment is a poignant documentary that takes on the New York City Police Department (NYPD) and challenges a system that disproportionally targets black and Latino communities.
Director Stephen Maing embeds himself into the personal lives of the officers, a private investigator, and several families in the Bronx and Brooklyn areas of New York City who risked their livelihoods in the name of justice.
As a silent witness to these events, Maing creates a compelling film centered on the group known as the NYPD 12, who filed a class action lawsuit (settled in 2017) against the police after facing retaliation for refusing to meet arrest quotas.
Spanning several years from 2014 to 2017, Crime + Punishment provides a critical look at how NYPD officers in minority communities are encouraged to “jump to the arrest” in order meet quotas that have been illegal since 2010.
Several black and Latino officers who attempt push back against this model face retaliation, including reassignment of their duties, slander, negative performance reviews, and withholding of promotion.
One of the sharpest examples of this is Officer Edwin Raymond, who is continually passed over for promotion, despite receiving high marks on his sergeant exam.
It is, as Edwin Raymond states, a “David versus Goliath” fight for all those who have spoken out, especially with the lawsuit looming over each of their careers and family lives.
The film does an excellent job of highlighting the proof supporting officers’ claims.
Several of the NYPD 12 are recorded receiving unwarranted reprimands and even mocking speeches from their superiors while on the job.
This, combined with personal documentation from officers tracking the retaliatory actions, gives the additional evidence that one would expect of such a documentary.
Not only do officers face discrimination under these quotas, but the communities themselves are targeted by the NYPD, resulting in a five times greater arrest rate of minorities over whites.
Although charges are often dropped, young minorities are still exposed to rough handling, lengthy summonses, and jail time.
Most prominent of these stories is Pedro Hernandez, a 17-year-old arrested and sent to Rikers Island for attempted murder.
Ex-NYPD and private investigator Manuel Gomez works with Hernandez’s mother to clear Hernandez of these charges, providing a personal illustration of how being targeted affects urban youths and their entire family.
Throughout the documentary, Gomez helps not only the Hernandez family, but other community members in reporting unethical officer behavior and exposing falsified arrests.
There are several public statements from the NYPD shown throughout the film, although they are never interviewed directly.
Whether this a purposeful omission or because no one was willing to speak with Maing is not clear.
Given the several year timeframe and multi-story structure, the 2-hour length feels just right.
With several intertwining stories and rough footage, it would be easy for the viewer to get lost, but the film does an excellent job of keeping the viewer on track with the use of text labels and transitions.
Other than a brief opening, there is no narration by Maing, which allows the voices of the officers and families to remain prominent throughout the film.
The use of hidden mics and interactions seen from hidden cameras captures raw, rarely seen moments between officers and their superiors.
Viewers should recognize the divisive nature of the topic but also the potential for education and discussion.
It is not surprising that this film has won numerous awards, including an Emmy for Outstanding Social Issue Documentary.
Crime + Punishment is a powerful documentary that takes the viewer from an intimate cafe conversation to a Rikers’ cells.
It is highly recommended for study in Criminal Justice, Sociology, and Urban Studies.
Awards Independent Film Festival of Boston 2018 Grand Jury Prize for Documentary Feature and Best Documentary; International Documentary Association 2018 Courage Under Fire Award; Mammoth Lakes Film Festival 2018 Audience Award for Best Documentary; Montclair Film Festival (MFF) 2018 Junior Jury Special Jury Prize; National Board of Review, USA 2018 NBR Award for Top Five Documentaries; News & Documentary Emmy Award 2019 for Outstanding Social Issue Documentary; Queen Palm International Film Festival 2019 Annual Grand Jury Prize; Sundance Film Festival 2018 Special Jury Prize for Social Impact Documentary; The Loft Film Fest 2018 Social Justice Award; Victoria TX Indie Film Fest 2018 Jury Prize for Best Documentary; Shortlisted for the 91st Academy Awards (2019) in Documentary feature category.

Related Results

Media, Mind, and Crime: Psychological and Communicative Dimensions of Criminal Representation
Media, Mind, and Crime: Psychological and Communicative Dimensions of Criminal Representation
This study examined how media representations of crime influenced public psychology and communicative meaning-making within contemporary digital and news environments. Focusing on ...
The probabilistic pool punishment proportional to the difference of payoff outperforms previous pool and peer punishment
The probabilistic pool punishment proportional to the difference of payoff outperforms previous pool and peer punishment
AbstractThe public goods game is a multiplayer version of the prisoner’s dilemma game. In the public goods game, punishment on defectors is necessary to encourage cooperation. Ther...
The Perception about Effectiveness of Capital Punishment as A Determining Factor in Punjab
The Perception about Effectiveness of Capital Punishment as A Determining Factor in Punjab
Public perception about capital punishment in Pakistan has changed in the last few years. This perception is determined by numerous factors i.e., awareness about crimes and punishm...
KEBIJAKAN MODERASI PIDANA MATI
KEBIJAKAN MODERASI PIDANA MATI
ABSTRAKPutusan Nomor 2-3/PUU-V/2007 selain menjadi dasar konstitusionalitas pidana mati, juga memberikan jalan tengah (moderasi) terhadap perdebatan antara kelompok yang ingin memp...
Kant's retributivism and the death penalty
Kant's retributivism and the death penalty
The paper deals with Kant's notion of punishment in general, as well as one specific form of punishment, namely, the death penalty. In the first part of the article we will e...
Hube – Makarewicz – Wolter. Trzy koncepcje karania na przestrzeni stu lat
Hube – Makarewicz – Wolter. Trzy koncepcje karania na przestrzeni stu lat
The article presents the views of three prominent thinkers regarding criminal punishment: Romuald Hube (1803–1890), the father of Polish criminal law, Juliusz Makarewicz (1872–1955...
Przestępca zawodowy
Przestępca zawodowy
 The article seeks to sum up all that has been said on the subject of professional criminality in the past half-century. It was never any part of the author’s aim to offer an analy...
Crime, punishment and the moral emotions: Righteous minds and their attitudes towards punishment
Crime, punishment and the moral emotions: Righteous minds and their attitudes towards punishment
There is considerable criminological interest in the place of emotion in influencing views about crime and punishment. It is increasingly recognised that while politicians insist t...

Back to Top