Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Medievalism and Reception

View through CrossRef
The relationship between medievalism and reception explored via a rich variety of case studies. At the intersection of the twin fields of medievalism and reception studies is the timely and fascinating question of how a contested past is deployed in the context of a conflicted and contradictory present. Despite their shared roots and a fundamental orientation towards the entanglement of past and present, the term "reception" is rarely taken up in medievalist scholarship, and they have developed along parallel but divergent lines, evolving their own emphases, problematics, sensibilities, vocabularies, and critical tools. This book is the first to reunite these two fields. Its introduction and first chapter clearly set out their tangled intellectual and disciplinary histories. The ten essays that follow reflect upon the relationship between medievalism and reception in theory and in practice, through thematically, temporally, and geographically expansive case studies, engaging with theories of translation, postcolonialism, fan studies, persona studies, and Indigenous studies. Individual topics examined include the cultural impact of Robin Hood; the Tulsa race massacre; the crusades in the nineteenth century; later representations of Chaucer's works; Victorian representations of Anne Boleyn; and media such as Star Wars and Game of Thrones. As a whole, this collection models and demonstrates the value of a new and self-aware approach to medievalism, enriched by a conscious and critical redeployment of reception theories and methodologies.
Boydell & Brewer Ltd
Title: Medievalism and Reception
Description:
The relationship between medievalism and reception explored via a rich variety of case studies.
At the intersection of the twin fields of medievalism and reception studies is the timely and fascinating question of how a contested past is deployed in the context of a conflicted and contradictory present.
Despite their shared roots and a fundamental orientation towards the entanglement of past and present, the term "reception" is rarely taken up in medievalist scholarship, and they have developed along parallel but divergent lines, evolving their own emphases, problematics, sensibilities, vocabularies, and critical tools.
This book is the first to reunite these two fields.
Its introduction and first chapter clearly set out their tangled intellectual and disciplinary histories.
The ten essays that follow reflect upon the relationship between medievalism and reception in theory and in practice, through thematically, temporally, and geographically expansive case studies, engaging with theories of translation, postcolonialism, fan studies, persona studies, and Indigenous studies.
Individual topics examined include the cultural impact of Robin Hood; the Tulsa race massacre; the crusades in the nineteenth century; later representations of Chaucer's works; Victorian representations of Anne Boleyn; and media such as Star Wars and Game of Thrones.
As a whole, this collection models and demonstrates the value of a new and self-aware approach to medievalism, enriched by a conscious and critical redeployment of reception theories and methodologies.

Related Results

Medievalism and Antiromanticism in Carl Orff’s Carmina Burana
Medievalism and Antiromanticism in Carl Orff’s Carmina Burana
This chapter traces Orff’s musical medievalism along several trajectories. Against the backdrop of “official” medievalism espoused under Wilhelmine Germany and under the National S...
Medievalism and Music
Medievalism and Music
Medievalism, broadly construed, concerns the cultural and intellectual afterlife of the Middle Ages. It has a long tradition as a topic for critical scholarly engagement. Initially...
The Oxford Handbook of Music and Medievalism
The Oxford Handbook of Music and Medievalism
Medievalism—broadly construed as the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages—has left a powerful mark in both art musi...
Introduction
Introduction
Medievalism—broadly construed as retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages—has left a powerful mark in both art music an...
“King and Peasant Peasants Brothers” Schiller’s earliest reception in Sweden (1790-1794)
“King and Peasant Peasants Brothers” Schiller’s earliest reception in Sweden (1790-1794)
Harald Graf, ”Kung och bonde äro bröder”. Schillers tidigaste reception i Sverige (1790–1794) (“King and peasant are brothers”. The earliest reception of Schiller in Sweden (1790–1...
Past Tense
Past Tense
This essay examines a number of key works by British composer Margaret Lucy Wilkins, whose music regularly engaged with medievalism its inspiration, choice of texts, musical borrow...
Fantasy Medievalism and Screen Media
Fantasy Medievalism and Screen Media
This chapter focuses on fantasy medievalism on screen and its connection to genres of music that may be seen as equally medievalist in origin and aesthetic: progressive rock, heavy...
Medievalism and Identity Construction in Pagan Folk Music
Medievalism and Identity Construction in Pagan Folk Music
European interest in its pagan or pre-Christian past has grown and flourished over the past two centuries, from Jean-Jacques Rousseau’s theorization of an ancient, polytheistic nat...

Back to Top