Javascript must be enabled to continue!
The Oxford Handbook of Music and Medievalism
View through CrossRef
Medievalism—broadly construed as the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages—has left a powerful mark in both art music and popular music culture of the past two centuries. The Oxford Handbook of Music and Medievalism provides a snapshot of the growing field of medievalism in music by bringing together international scholars to explore a wide variety of past and present genres in which medievalism is present. The handbook is organized into six sections and takes up musical topics in the nineteenth, twentieth, and twenty-first centuries, in genres as far reaching as opera, orchestral music, film, musicals, heavy metal, folk rock, and video games.
Oxford University Press
Title: The Oxford Handbook of Music and Medievalism
Description:
Medievalism—broadly construed as the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages—has left a powerful mark in both art music and popular music culture of the past two centuries.
The Oxford Handbook of Music and Medievalism provides a snapshot of the growing field of medievalism in music by bringing together international scholars to explore a wide variety of past and present genres in which medievalism is present.
The handbook is organized into six sections and takes up musical topics in the nineteenth, twentieth, and twenty-first centuries, in genres as far reaching as opera, orchestral music, film, musicals, heavy metal, folk rock, and video games.
Related Results
Medievalism and Music
Medievalism and Music
Medievalism, broadly construed, concerns the cultural and intellectual afterlife of the Middle Ages. It has a long tradition as a topic for critical scholarly engagement. Initially...
Medievalism and Antiromanticism in Carl Orff’s Carmina Burana
Medievalism and Antiromanticism in Carl Orff’s Carmina Burana
This chapter traces Orff’s musical medievalism along several trajectories. Against the backdrop of “official” medievalism espoused under Wilhelmine Germany and under the National S...
The Many Musical Medievalisms of Disney
The Many Musical Medievalisms of Disney
This essay argues that the Disney Company is one of today’s main purveyors of medievalism. The idea of Disney as a force for medievalism may strike some academic readers as odd, gi...
Music and Mysticism
Music and Mysticism
The word “mystic” has a common meaning in philosophical traditions like neo-Platonism and religions (Hindu, Jewish, Christian, and Muslim)—namely the elevation of a human being to ...
Welcome to Approaches: Music Therapy & Special Music Education
Welcome to Approaches: Music Therapy & Special Music Education
Welcome to the inaugural issue of Approaches: Music Therapy & Special Music Education!
Approaches is the first peer-reviewed journal in Greece which is dedicated to the fields ...
Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940
Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940
<p>From 1840, when New Zealand became part of the British Empire, until 1940 when the nation celebrated its Centennial, the piano was the most dominant instrument in domestic...
Introduction
Introduction
Medievalism—broadly construed as retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages—has left a powerful mark in both art music an...
Hartsa med brylcreme
Hartsa med brylcreme
From the point of departure of a folk song (Marching melody from Gärdeby) which by way of radio and television gained great popularity both in Sweden and abroad, light is thrown up...

