Javascript must be enabled to continue!
Aristotle's Mimesis and Abstract Art
View through CrossRef
Does non-representational art itself constitute a refutation of any theory of art based upon mimesis or imitation? Our intuitions regarding this question seem to support an affirmative answer: it appears impossible to account for abstract and non-representational art in terms of imitation, because, to put the problem simply, if nothing is copied in a work of art then there can be nothing essentially imitative about it. The very notion of abstract imitative art seems self-contradictory.
Title: Aristotle's Mimesis and Abstract Art
Description:
Does non-representational art itself constitute a refutation of any theory of art based upon mimesis or imitation? Our intuitions regarding this question seem to support an affirmative answer: it appears impossible to account for abstract and non-representational art in terms of imitation, because, to put the problem simply, if nothing is copied in a work of art then there can be nothing essentially imitative about it.
The very notion of abstract imitative art seems self-contradictory.
Related Results
Animated Images and Animated Objects in the Toy Story Franchise: Reflexively and Intertextually Transgressive Mimesis
Animated Images and Animated Objects in the Toy Story Franchise: Reflexively and Intertextually Transgressive Mimesis
This article explores how animation can manipulate a reflexive intertextual framework which relates to religious prohibitions on artistic mimesis that might replicate and threaten ...
Aristotle on the Period (Rhet. 3. 9)
Aristotle on the Period (Rhet. 3. 9)
Aristotle (Rhet. 3.9) distinguishes two types of style, the ‘periodic’ or ‘rounded’ (λ⋯ξιςκατεστραμμέη) and the ‘non-periodic’, ‘strung-on’ or ‘continuous’ (λέξιςε;ἰρομένη).* The l...
Aristotle and the People: Vernacular Philosophy in Renaissance Italy
Aristotle and the People: Vernacular Philosophy in Renaissance Italy
The essay focuses on vernacular Aristotelianism in Renaissance Italy, which began to gain currency in the 1540s, just as the vernacular was beginning to establish itself as a langu...
Aristote contre Descartes : Ernesto Grassi et la tradition humaniste
Aristote contre Descartes : Ernesto Grassi et la tradition humaniste
Aristotle vs Descartes: Ernesto Grassi and the Humanist Tradition
The mannerist treaties which furnish the German language philosopher Ernesto Grassi with his matter in "La m...
Zeno Beach
Zeno Beach
Abstract
On Zeno Beach there are infinitely many grains of sand, each half the size of the last. Supposing Aristotle denied the possibility of Zeno Beach, did he have a good argume...
Aristotle’s Lost Work On Philosophy
Aristotle’s Lost Work On Philosophy
This article offers a Polish translation of Aristotle’s treatise, On Philosophy, of which only certain fragments and testimonies have been preserved. The translation is supplied wi...
Francesco Patrizi da Cherso's Criticism of Aristotle's Logic Francesco Patrizi da Cherso's Criticism of Aristotle's Logic
Francesco Patrizi da Cherso's Criticism of Aristotle's Logic Francesco Patrizi da Cherso's Criticism of Aristotle's Logic
AbstractFrancesco Patrizi da Cherso's Discussiones peripateticae (1581) are one of the most comprehensive analyses of the whole of Aristotelian philosophy to be published before We...
Musical Mimesis inOrphans of the Storm
Musical Mimesis inOrphans of the Storm
In this essay I explore the use of musical mimesis in the score for D. W. Griffith’s 1921 filmOrphans of the Storm. I demonstrate that the score, created by Louis F. Gottschalk and...