Javascript must be enabled to continue!
Vipralabdha Nayika Casts off Her Jewelry into a Bed of Flowers
View through Harvard Museums
In the center of the image is the Vipralabdha Nayika (“the Deceived Heroine”), the heroine who waited for her lover the whole night, only to be deceived by him. She throws away the jewelry he gave her as he did not keep his promise. The nayika wears a white, gold-trimmed dress and a white, gold-trimmed head scarf. She is adorned with necklaces, head ornaments, earrings, necklaces, armlets, bracelets, rings, and a nose ring. Her right arm is extended over a large bed of flowers. She removes an armlet from her right arm to cast it into the bed of flowers that already contains some of her jewelry. Behind her is a hilly landscape with various types of trees with individually-painted leaves. A large silver full moon is set against a blue sky. The reflection of the moon can be seen in the blue-grey river comprising white-lined waves. Pahari Style, Kangra School.
Department of Islamic & Later Indian Art
Harvard Art Museums/Arthur M. Sackler Museum Gift of Mr. and Mrs. Peter Bienstock
Title: Vipralabdha Nayika Casts off Her Jewelry into a Bed of Flowers
Description:
In the center of the image is the Vipralabdha Nayika (“the Deceived Heroine”), the heroine who waited for her lover the whole night, only to be deceived by him.
She throws away the jewelry he gave her as he did not keep his promise.
The nayika wears a white, gold-trimmed dress and a white, gold-trimmed head scarf.
She is adorned with necklaces, head ornaments, earrings, necklaces, armlets, bracelets, rings, and a nose ring.
Her right arm is extended over a large bed of flowers.
She removes an armlet from her right arm to cast it into the bed of flowers that already contains some of her jewelry.
Behind her is a hilly landscape with various types of trees with individually-painted leaves.
A large silver full moon is set against a blue sky.
The reflection of the moon can be seen in the blue-grey river comprising white-lined waves.
Pahari Style, Kangra School.
Related Results
Neck Amphora (storage jar): Medea Boiling a Ram
Neck Amphora (storage jar): Medea Boiling a Ram
Both sides of this vase depict an episode from the story of Medea, the daughter of Aeetes, king of Colchis (in modern-day Georgia). When the Greek hero Jason came with the Argonaut...
Silver back ornament
Silver back ornament
This ornament was worn by the Tekke-Turkmen on their backs and attached to their hair. The decoration consists of eight coralins in various sizes, of which seven are cabochons, and...
Rhinestone back jewel with coral
Rhinestone back jewel with coral
This ornament was worn by the Tekke-Turkmen on their backs and attached to their hair. The piece is decorated with five cornalines and gilded vines. The central field has a decorat...
The Jewelry of Jewish Brides in Herat, Afghanistan
The Jewelry of Jewish Brides in Herat, Afghanistan
Jewish brides in Herat wore gold jewelry in the Persian Qajar style, with painted enamel and precious stone inlay. This distinguished them from their Muslim counterparts, who wore ...
Gauri Ragini: Preparatory Drawing for a “Ragamala” Series Folio
Gauri Ragini: Preparatory Drawing for a “Ragamala” Series Folio
The Gauri Ragini is meant to evoke a contemplative mood and is commonly represented by a female heroine (nayika) who is lovesick and reminisces about her lover in a forest. She typ...
Radha Talking with Her Sakhi on a Terrace, drawing from a Rasikapriya (Handbook for Poetry Connoisseurs) Series
Radha Talking with Her Sakhi on a Terrace, drawing from a Rasikapriya (Handbook for Poetry Connoisseurs) Series
The drawing depicts Radha, the consort of the Hindu god Krishna, on the terrace of her palatial abode. Her chin rests on her hand as she listens to her female companion (sakhi), wh...
The Psyche mirror
The Psyche mirror
The Cheval-Glass or La Psyché, as it is also called, is one of the paintings by Berthe Morisot shown at the Third Impressionist Exhibition held in 1877 in the apartment rented by G...
La Rousse in a White Blouse
La Rousse in a White Blouse
Henri de Toulouse-Lautrec was undoubtedly the painter who best captured life in late-nineteenth century Paris. His works provide an unequalled repertory of images of the marginal, ...