Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Faces of Florence in Aleksandr Blok’s Italian Poems

View through CrossRef
This article examines the first two poems in Aleksandr Blok’s cycle Florence, which describe two opposite images of the city. The poet visited Italy in 1909, and his impressions are reflected in these poems. In the first poem, the city is compared to “Judas”: the poet maintains that Florence has betrayed its glorious past for the sake of the benefits accruing from civilization. Blok’s curses are reminiscent of his argument with V. V. Rozanov about the earthquake in Messina. Rozanov perceived the tragedy sympathetically, as a person capable of perceiving the smallest details of life. Rozanov accused Blok of indifference because the poet considered the earthquake a prologue to future disasters in the life of mankind. The second poem of the cycle compares the city to “a delicate iris”. The tone of denial in the first poem forced the editor of the Apollon magazine to refuse to publish the poem, though Blok explained in a letter that the image had been achieved through suffering. Blok’s perception of Florence was formed by signs of modern life, by Dante’s story (who was expelled from his hometown and found shelter in Ravenna), and by an episode where Blok witnessed the transportation of a dead man. The second image is connected with the poet moving to another part of the city by the Cascine Park, where there were many irises. The image of the flower made Blok remember Shakhmatovo, where he had looked after irises. A description of Florentine irises can also be found in a book by A. N. Beketov, the poet’s grandfather. The image of irises creates a different impression of Florence. The combination of the two visible impressions is connected with the “special optics” of the poet. He found Leonardo da Vinci’s oeuvre similar to his perception of the air, as “black”. The colour inversion when something transparent looks black, like when someone sees another person’s pupils, gives the poet the ability to see the world “from the outside” in its integrity. Such a vision also gives Blok the opportunity to combine the two images of one city.
Ural Federal University
Title: The Faces of Florence in Aleksandr Blok’s Italian Poems
Description:
This article examines the first two poems in Aleksandr Blok’s cycle Florence, which describe two opposite images of the city.
The poet visited Italy in 1909, and his impressions are reflected in these poems.
In the first poem, the city is compared to “Judas”: the poet maintains that Florence has betrayed its glorious past for the sake of the benefits accruing from civilization.
Blok’s curses are reminiscent of his argument with V.
V.
Rozanov about the earthquake in Messina.
Rozanov perceived the tragedy sympathetically, as a person capable of perceiving the smallest details of life.
Rozanov accused Blok of indifference because the poet considered the earthquake a prologue to future disasters in the life of mankind.
The second poem of the cycle compares the city to “a delicate iris”.
The tone of denial in the first poem forced the editor of the Apollon magazine to refuse to publish the poem, though Blok explained in a letter that the image had been achieved through suffering.
Blok’s perception of Florence was formed by signs of modern life, by Dante’s story (who was expelled from his hometown and found shelter in Ravenna), and by an episode where Blok witnessed the transportation of a dead man.
The second image is connected with the poet moving to another part of the city by the Cascine Park, where there were many irises.
The image of the flower made Blok remember Shakhmatovo, where he had looked after irises.
A description of Florentine irises can also be found in a book by A.
N.
Beketov, the poet’s grandfather.
The image of irises creates a different impression of Florence.
The combination of the two visible impressions is connected with the “special optics” of the poet.
He found Leonardo da Vinci’s oeuvre similar to his perception of the air, as “black”.
The colour inversion when something transparent looks black, like when someone sees another person’s pupils, gives the poet the ability to see the world “from the outside” in its integrity.
Such a vision also gives Blok the opportunity to combine the two images of one city.

Related Results

The Carnival-Grotesque and Blok's The Puppet Show
The Carnival-Grotesque and Blok's The Puppet Show
If so many poets have been attracted by the dramatic form, this is not because it gives them the somewhat crude (and generally dearly paid for) joy of realizing their conceptions i...
Investigation on Moral Understanding and Religious Motives in Karacaoğlan's Poems
Investigation on Moral Understanding and Religious Motives in Karacaoğlan's Poems
The Turkish oral tradition has lived in the memory of the people for generations. This cultural memory has been brought up to day by means of bards and minstrels who convey the fe...
African Poetry as an Expression of Agony
African Poetry as an Expression of Agony
This study focuses on sociological study of selected African poems as an expression of agony which seeks to addressthe issues of oppression, psychological torture, injustice, apart...
The carmen heroicum in Early Modernity (Das carmen heroicum in der frühen Neuzeit)
The carmen heroicum in Early Modernity (Das carmen heroicum in der frühen Neuzeit)
The special issue at hand provides a contribution to the historical exploration of early modern carmina heroica (epic poems) in the German area of the early modern period, especial...
Een manuscript van Jan van Mieris, met daarin gedichten over zijn vader Frans van Mieris I
Een manuscript van Jan van Mieris, met daarin gedichten over zijn vader Frans van Mieris I
AbstractThe Dutch painter Jan van Mieris (Leiden 1660-Rome 1690) was twenty years old when his father, the famous painter Frans van Mieris the Elder (1635-1681) died. Jan van Mieri...
Description Benefits, Production Benefits, and Context Retrieval for Recognition of Unfamiliar Faces
Description Benefits, Production Benefits, and Context Retrieval for Recognition of Unfamiliar Faces
Abstract Several studies have shown that giving brief descriptions for unfamiliar faces can lead to better episodic recognition memory relative to faces in a view-on...
Homer and Traditional Poetics
Homer and Traditional Poetics
AbstractAlthough Homer refers to the art of poetry in terms closely similar to those used by oral traditional poets interviewed by Parry and Lord, his own poems do not follow the p...

Back to Top