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‘Volto di Medusa’: Monumentalizing the self in Petrarch'sRerum vulgarium fragmenta
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Scholarship on Petrarch has generally intepreted the figure of Laura-as-Medusa as a projection of the poet's internal conflict between sacred and profane love. Such a reading takes Medusa as a threat to Petrarch's agency. Yet Petrarch's Laura-Medusa is suggestively figured as only her disembodied head, a weapon ultimately manipulated by Perseus. This reversal of agency has an impact on Petrarch's complicated theory of poetic inspiration, and reaches beyond the relationship between poet and beloved to encompass another fraught paradigm of power: the relationship between poet and patron. By recalling the disembodied head of Medusa in the figure of Laura, and recovering the political symbolism of the appropriation of her petrifying gaze, Petrarch creates a model of poetic agency that he uses to stage his relationship to patronage in the Latin Africa and a poem addressed to his Colonna patrons.
Title: ‘Volto di Medusa’: Monumentalizing the self in Petrarch'sRerum vulgarium fragmenta
Description:
Scholarship on Petrarch has generally intepreted the figure of Laura-as-Medusa as a projection of the poet's internal conflict between sacred and profane love.
Such a reading takes Medusa as a threat to Petrarch's agency.
Yet Petrarch's Laura-Medusa is suggestively figured as only her disembodied head, a weapon ultimately manipulated by Perseus.
This reversal of agency has an impact on Petrarch's complicated theory of poetic inspiration, and reaches beyond the relationship between poet and beloved to encompass another fraught paradigm of power: the relationship between poet and patron.
By recalling the disembodied head of Medusa in the figure of Laura, and recovering the political symbolism of the appropriation of her petrifying gaze, Petrarch creates a model of poetic agency that he uses to stage his relationship to patronage in the Latin Africa and a poem addressed to his Colonna patrons.
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