Haunted Roadscapes in Jesmyn Ward’s Sing, Unburied, Sing

AbstractIn this article, I argue that Jesmyn Ward deploys a road trip in her 2017 novel Sing, Unburied, Sing as a literary formula through which she demonstrates the immobilizing effects of racism and incarceration on contemporary black lives. The association of the American road-trip novel with freedom and free movement is strong in the American imaginary, and Ward manipulates this association to explore what happens when automobile travelers are precarious rather than privileged. The road trip in Ward's novel makes visible various forces of mobility and immobility that differentiate citizens by race. She conjures two dimensions of the African American experience that are immobilizing: the carceral system and the risk of “driving while black.” Sing, Unburied, Sing already critiques the traditional road trip in its plot and narrative structure; for Ward, it is the linkages of dimensions of African American immobilization around the road trip that are powerful. Ward's novel demonstrates that black automobility, or the unique experience of the road for racialized drivers, reveals the political and social dynamics that shape our conception of the road for all drivers. Furthermore, I analyze how the road trip within the novel “unburies” a story about the violence of incarceration. I explore how Ward finesses that iconic American narrative trope, the journey by car that ought to be freeing, to heighten her critique of racist, anti-black structures of oppression in the United States.