Javascript must be enabled to continue!
Ecranization of The Yakou Kanransha Novel by Minato Kanae
View through CrossRef
The public's high appreciation of popular novels has encouraged the film and television industries to adapt literary works into an audiovisual format. One of the novels adapted into a drama series is Yakou Kanransha by Minato Kanae. The ecranization of the novel resulted in changes in the plot, characters, and setting and also impacted the audience’s satisfaction with the drama series. This study uses a descriptive qualitative, and structural approach to analyze the ecranization process of the Yakou Kanransha novel into a drama series to identify the changes between the novel version and the drama series adaptation. Data were obtained from reading the novel and watching the drama series, then analyzing the plot, character, and setting differences. The results showed that the ecranization process resulted in changes in the story structure, including reduction, addition, and varied changes in the aspects of plot, character, and setting. In the plot aspect, there are 8 reductions, 39 additions, and 15 varied changes. Meanwhile, there are 3 reductions, 9 additions, and 8 varied changes in the character aspect. As for the background aspect, there is 1 reduction, 8 additions, and 6 varied changes. The impact of the ecranization process gives different interpretations to the audiences of the two works. Nevertheless, the overall ecranization process has a positive impact, as seen from the positive responses of the audience to the adaptation.
Institute of Research and Community Services Diponegoro University (LPPM UNDIP)
Title: Ecranization of The Yakou Kanransha Novel by Minato Kanae
Description:
The public's high appreciation of popular novels has encouraged the film and television industries to adapt literary works into an audiovisual format.
One of the novels adapted into a drama series is Yakou Kanransha by Minato Kanae.
The ecranization of the novel resulted in changes in the plot, characters, and setting and also impacted the audience’s satisfaction with the drama series.
This study uses a descriptive qualitative, and structural approach to analyze the ecranization process of the Yakou Kanransha novel into a drama series to identify the changes between the novel version and the drama series adaptation.
Data were obtained from reading the novel and watching the drama series, then analyzing the plot, character, and setting differences.
The results showed that the ecranization process resulted in changes in the story structure, including reduction, addition, and varied changes in the aspects of plot, character, and setting.
In the plot aspect, there are 8 reductions, 39 additions, and 15 varied changes.
Meanwhile, there are 3 reductions, 9 additions, and 8 varied changes in the character aspect.
As for the background aspect, there is 1 reduction, 8 additions, and 6 varied changes.
The impact of the ecranization process gives different interpretations to the audiences of the two works.
Nevertheless, the overall ecranization process has a positive impact, as seen from the positive responses of the audience to the adaptation.
Related Results
ANALISIS KARAKTER MORIGUCHI YUKO DALAM NOVEL CONFESSIONS KARYA MINATO KANAE
ANALISIS KARAKTER MORIGUCHI YUKO DALAM NOVEL CONFESSIONS KARYA MINATO KANAE
Tujuan penelitian ini adalah untuk mendesrkipsikan unsur-unsur intrinsik dan karakteristik tokoh utama, Moriguchi Yuko, dalam novel Confessions karya Minato Kanae. Peneliti menggun...
Proses Ekranisasi Unsur Intrinsik Novel Kedalam Film Kisah Untuk Geri Serta Implikasinya Kedalam Pembelajaran Sastra
Proses Ekranisasi Unsur Intrinsik Novel Kedalam Film Kisah Untuk Geri Serta Implikasinya Kedalam Pembelajaran Sastra
This study aims to determine the ekranization of the novel Kisah untuk Geri by Erisca Febriani into the film Kisah Untuk Geri directed by Monty Tiwa in the form of shrinkage, addit...
Ekranisasi Unsur Intrinsik Novel Antares Karya Rweinda ke Dalam Film Antares yang Disutradarai oleh Rizal Mantovani
Ekranisasi Unsur Intrinsik Novel Antares Karya Rweinda ke Dalam Film Antares yang Disutradarai oleh Rizal Mantovani
This study aims to determine the ecranization of Rweinda's Antares novel into the Antares film directed by Rizal Mantovani, namely in the form of shrinking, adding, and varying cha...
Semiotics and Forms Of Ecranization in the “Red Sparrow” Novel by Jason Matthews to the “Red Sparrow” Movie by Francis Lawrence
Semiotics and Forms Of Ecranization in the “Red Sparrow” Novel by Jason Matthews to the “Red Sparrow” Movie by Francis Lawrence
This research discusses the study of semiotics in the film Red Sparrow and the form of the novel's ecranization of the film Red Sparrow. In this study, every film has semiotics and...
Ekranisasi Sastra terhadap Alih Wahana Novel Soe Hok Gie: Catatan Seorang Demonstran ke dalam Film “Gie”
Ekranisasi Sastra terhadap Alih Wahana Novel Soe Hok Gie: Catatan Seorang Demonstran ke dalam Film “Gie”
The emergence of Ecranization in the development of Indonesian literature is increasingly rapid with the help of technological advances. Therefore, the phenomenon that occurs in th...
Representasi Tokoh Sri Asih dalam Film dan Komik Sri Asih
Representasi Tokoh Sri Asih dalam Film dan Komik Sri Asih
The comic Sri Asih which was produced after the screening of the film Sri Asih, is an innovation in de-ecranization research because de-ecranization tends to focus on changing the ...
Perbedaan Makna Novel dan Film Ayat-Ayat Cinta: Kajian Ekranisasi
Perbedaan Makna Novel dan Film Ayat-Ayat Cinta: Kajian Ekranisasi
Proses adaptasi dari novel ke bentuk film disebut ekranisasi. Perbedaan yang sering muncul dalam proses ekranisasi selama ini lebih sering disebabkan oleh perbedaan sistem sastra (...
5143 Disulfide Bonds of Thyroid Peroxidase Are Critical Elements for Subcellular Localization, Proteasome-Dependent Degradation, and Enzyme Activity
5143 Disulfide Bonds of Thyroid Peroxidase Are Critical Elements for Subcellular Localization, Proteasome-Dependent Degradation, and Enzyme Activity
Abstract
Disclosure: H. Iwasaki: None. H. Suwanai: None. K. Kanekura: None. N. Satoshi: None. F. Yakou: None. H. Sakai: None. K. Ishii: None. N. hara: None. R. Suzuk...

