Javascript must be enabled to continue!
POETIC INTERSECTIONS IN IVAN FRANKO'S NOVEL “FATEFUL CROSSROADS” AND ANTUN GUSTAV MATOŠ'S SHORT STORY S “CAMAO”
View through CrossRef
Abstract Background: Ukrainian-Croatian literary relations have often been the subject of research by Slavic scholars. The subject of research have been both direct contacts between representatives of the literature of these two nations and the reception of Croatian literature in Ukraine and Ukrainian literature in Croatia. Of peculiar interest are comparative literary studies, which outline the parallels and differences between the works of representatives of these Slavic cultures who refer to eternal images or important philosophical concepts. Purpose: The special place of Ivan Franko in the history of Ukrainian culture has been the cause which led to the interest of researchers in various Slavic aspects of studying his work. However, in our opinion, the issues of studying poetic parallels in the works of Ivan Franko and his Croatian contemporaries are still insufficiently covered. Such comparative investigations will help to look at Ivan Franko's works from the point of view of the Central European context of the time, to identify the features of the dominant artistic paradigm and the writer's originality in its interpretation and departure from it. Rich material for such a study is provided by comparing Ivan Franko's prose works marked by the features of modernism and the prose of representatives of the first period of Croatian modernism. Results: In the proposed article we analyse the poetic intersections in Ivan Franko's novel “Fateful Crossroads” and Antun Gustav Matoš's short story “Camao”. Such a choice is caused both by the prominent place of the writers in the national literary canon, the influence of their creative work on the formation of the modernist artistic paradigm in Ukrainian and Croatian literature, and the fact that both works were published in 1900. The study was carried out using historical and literary, comparative, hermeneutical methods, as well as the method of textual analysis with elements of close reading. Comparative reading of Ivan Franko's novel “Fateful Crossroads” and Antun Gustav Matoš's short story “Camao” reveals many common motifs and numerous poetic parallels, which makes it possible to draw conclusions about the peculiarities of the functioning of modernist poetics in the works of the classics of Ukrainian and Croatian literature. Key words: modernism, poetics, Croatian literature, Ukrainian literature, Ivan Franko, Antun Gustav Matos.
Title: POETIC INTERSECTIONS IN IVAN FRANKO'S NOVEL “FATEFUL CROSSROADS” AND ANTUN GUSTAV MATOŠ'S SHORT STORY S “CAMAO”
Description:
Abstract Background: Ukrainian-Croatian literary relations have often been the subject of research by Slavic scholars.
The subject of research have been both direct contacts between representatives of the literature of these two nations and the reception of Croatian literature in Ukraine and Ukrainian literature in Croatia.
Of peculiar interest are comparative literary studies, which outline the parallels and differences between the works of representatives of these Slavic cultures who refer to eternal images or important philosophical concepts.
Purpose: The special place of Ivan Franko in the history of Ukrainian culture has been the cause which led to the interest of researchers in various Slavic aspects of studying his work.
However, in our opinion, the issues of studying poetic parallels in the works of Ivan Franko and his Croatian contemporaries are still insufficiently covered.
Such comparative investigations will help to look at Ivan Franko's works from the point of view of the Central European context of the time, to identify the features of the dominant artistic paradigm and the writer's originality in its interpretation and departure from it.
Rich material for such a study is provided by comparing Ivan Franko's prose works marked by the features of modernism and the prose of representatives of the first period of Croatian modernism.
Results: In the proposed article we analyse the poetic intersections in Ivan Franko's novel “Fateful Crossroads” and Antun Gustav Matoš's short story “Camao”.
Such a choice is caused both by the prominent place of the writers in the national literary canon, the influence of their creative work on the formation of the modernist artistic paradigm in Ukrainian and Croatian literature, and the fact that both works were published in 1900.
The study was carried out using historical and literary, comparative, hermeneutical methods, as well as the method of textual analysis with elements of close reading.
Comparative reading of Ivan Franko's novel “Fateful Crossroads” and Antun Gustav Matoš's short story “Camao” reveals many common motifs and numerous poetic parallels, which makes it possible to draw conclusions about the peculiarities of the functioning of modernist poetics in the works of the classics of Ukrainian and Croatian literature.
Key words: modernism, poetics, Croatian literature, Ukrainian literature, Ivan Franko, Antun Gustav Matos.
Related Results
Tekstualni subjekt u poeziji Marije Stepanove od 2001. do 2017. godine
Tekstualni subjekt u poeziji Marije Stepanove od 2001. do 2017. godine
Maria Stepanova (b. 1972) is a contemporary Russian poet who has emerged in recent decades as one of the most original and complex voices on the poetically highly heterogeneous and...
Nekrolog over Gustav Albeck
Nekrolog over Gustav Albeck
Gustav Albeck 1906 - 1995By William MichelsenWilliam Michelsen writes an obituary of Gustav Albeck, Professor of Nordic Literature. In his commemorative words, William Michelsen q...
FORMATION OF CHOREOGRAPHIC EDUCATION AT THE IVAN FRANKO NATIONAL UNIVERSITY OF LVIV
FORMATION OF CHOREOGRAPHIC EDUCATION AT THE IVAN FRANKO NATIONAL UNIVERSITY OF LVIV
The history of the introduction of the choreography specialty in the educational process of the Department of Directing and Choreography of the Ivan Franko National University of L...
Ivan IV the Terrible, Tsar of Russia
Ivan IV the Terrible, Tsar of Russia
Ivan IV (Ivan Vasil’evich, Ivan the Terrible, Ivan Groznyi [the Awe-Inspiring]) was born in 1530 and ruled from 1533 to 1547 as Grand Prince of Moscow and All Russia and from 1547 ...
Juhan Liivi käsitus luulekunstist / Juhan Liiv's Conception of Poetics
Juhan Liivi käsitus luulekunstist / Juhan Liiv's Conception of Poetics
Teesid: Artikkel tutvustab Juhan Liivi (1864–1913) luulekäsitust. Liivi mõtlemise selgust ja rangust on senistes tõlgendustes alahinnatud. Uurimuses näitan, et Liivi mõtteavalduste...
If I Had Possession over Judgment Day: Augmenting Robert Johnson
If I Had Possession over Judgment Day: Augmenting Robert Johnson
augmentvb [ɔːgˈmɛnt]1. to make or become greater in number, amount, strength, etc.; increase2. Music: to increase (a major or perfect interval) by a semitone (Collins English Dicti...
“The travesty Eneida” by Ivan Kotlyarevskyi in interpretation of Swedish scholar Alfred Jensen
“The travesty Eneida” by Ivan Kotlyarevskyi in interpretation of Swedish scholar Alfred Jensen
We analyze the work “The travesty Eneida” by Kotlyarevskyi by Alfred Jensen, the reknown Swedish Historian, Slavist and translator. This work was first published in German, within ...
NILAI-NILAI RELIGIUS ISLAM DALAM ANTOLOGI CERPEN �CARAKU MENCINTAI KANG ALFI (ALFIYAH LATIN)� KARYA LIA HIMMATUL ULYA
NILAI-NILAI RELIGIUS ISLAM DALAM ANTOLOGI CERPEN �CARAKU MENCINTAI KANG ALFI (ALFIYAH LATIN)� KARYA LIA HIMMATUL ULYA
Literary works, especially short stories, are one of the teaching tools to develop the soul, humanize humans, and increase literary appreciation in depth and love, coloring short s...

