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Title Page from Opera Selectiora
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Department of Prints
Harvard Art Museums/Fogg Museum Bequest of Susan Norton
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Poster for the musical performance "Accademia Teatro Alla Scala-Song Recital" at the Thessaloniki Concert Hall
Poster for the musical performance "Accademia Teatro Alla Scala-Song Recital" at the Thessaloniki Concert Hall
Domenico Cimarosa: Aria “Cara, non dubitar” from the opera The Secret Marriage (1749-1801) Noemi Muschetti soprano
Paolo Antonio Nevi tenor
Gaetano Donizetti: Aria "Come Paride vez...
(I) Vita di Anton Domenico Gabbiani, PItto Fiorentino; (II) Raccolta di Cento Pensieri Diversi di Anton Domenico Gabbiani, Pittor Fiorentino
(I) Vita di Anton Domenico Gabbiani, PItto Fiorentino; (II) Raccolta di Cento Pensieri Diversi di Anton Domenico Gabbiani, Pittor Fiorentino
Illustrations: etching engraving tonal process...
Poster of the musical performance "Vocal Art - Yuli Karagouni Soprano -Yoon Bo Ra Piano" at the Thessaloniki Concert Hall
Poster of the musical performance "Vocal Art - Yuli Karagouni Soprano -Yoon Bo Ra Piano" at the Thessaloniki Concert Hall
Part I
G. Puccini: Oh mio babbino caro
Lauretta's aria from the opera Gianni Schicchi
G. Puccini: Si, mi chiamano Mimi
Mimi's aria from the op...
Christina Nilsson, 1843-1921, opera-singer, as Ofelia
Christina Nilsson, 1843-1921, opera-singer, as Ofelia
Christina Nilsson (1843–1921) came from modest circumstances in the province of Småland, in southern Sweden. She moved to Paris, triumphed as an opera-singer and toured all over th...
Palace of Thetits and their transformation into a rock from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the opera of the same name by F. Cavalli, Venice 1639). Stage design for the Paris premier
Palace of Thetits and their transformation into a rock from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the opera of the same name by F. Cavalli, Venice 1639). Stage design for the Paris premier
Palace of Thetits and their transformation into a rock from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the opera of th...
Conclusion, “Liberation of Olympus” and Dance of the Seven Free Arts with Hercules and Prometheus from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the eponymous opera by F. Cavalli, Venice 1639)
Conclusion, “Liberation of Olympus” and Dance of the Seven Free Arts with Hercules and Prometheus from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Francesco Buti (editing? after the eponymous opera by F. Cavalli, Venice 1639)
Conclusion, “Liberation of Olympus” and Dance of the Seven Free Arts with Hercules and Prometheus from the opera “Le Nozze di Peleo e di Teti” by Carlo Caproli with libretto by Fra...
Joseph Tichatschek in the title role for the premiere of Richard Wagner’s opera “Tannhäuser und der Singer Joseph auf Wartburg.” Royal Saxon Court Theater Dresden, 19 October 1845 under the direction of the composer. Steel engraving by A. H. Payne after d
Joseph Tichatschek in the title role for the premiere of Richard Wagner’s opera “Tannhäuser und der Singer Joseph auf Wartburg.” Royal Saxon Court Theater Dresden, 19 October 1845 under the direction of the composer. Steel engraving by A. H. Payne after d
Joseph Tichatschek in the title role for the premiere of Richard Wagner’s opera “Tannhäuser und der Singer Joseph auf Wartburg.” Royal Saxon Court Theater Dresden, 19 October 1845 ...
Leather handbag, opera glasses, fan, mirror, note card with pencil and power puff, Lemiere, France, ca. 1910.
Leather handbag, opera glasses, fan, mirror, note card with pencil and power puff, Lemiere, France, ca. 1910.
Leather handbag, opera glasses, fan, mirror, note card with pencil and power puff, Lemiere, France, ca. 1910. ...