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Violin Baroque Pieces on Soprano Saxophone

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Name: José Benjamín Falces Vaquero Main Subject: Classical Saxophone Research Supervisor: Jarmo Hoogendijk Title of Research: Baroque Violin Pieces on Soprano Saxophone;Transcription of Caprice No. 26 for Violin Solo by Pietro Locatelli Research Question: How should a baroque violin piece be transcribed and played on a soprano saxophone? Summary of Results: There are so many baroque pieces for violin which have been transcribed for soprano saxophone, but there are even more performances of these pieces by almost all classical saxophonists. The reason is that saxophonists often need to improve their repertoire and that these pieces were already frequently transcribed during the period which were made. Also, there have been many saxophonists who have thought that this instrument can give something special to these kinds of works. Based on interviews, questionnaires, comparison of baroque transcriptions and my own experience documented through the whole process of a transcription, this research investigates what is the best way to transcribe and play violin baroque pieces for soprano saxophone. My main conclusion is when writing for these arrangements it is allowed to make many modifications from the original version but always depending on the characteristics of the instrument and the baroque transcription criteria and keeping the original intention of the composer. These results will give the saxophone world more sources of how to transcribe and play these pieces, keeping in mind the original idea of the composer in the baroque style and making it more useful for the instrument. Biography:José Benjamín Falces Vaquero has had lessons with teachers like Vincent David, Ensemble Squillante, Berlage Saxophone Quartet, Arno Bornkamp and others. He won national prizes in Torrent, Xativa and Lliria. He now collaborates with a few Young Orchestras: JOGV, IYPO and ORSAXCOVA. In 2017 he received a Scholarship from the Government of Valencia. As a jazz performer he has had lessons with teachers such as Perico Sambeat, Jerry Bergonzi, Bob Mintzer, Gregory Fritze, and recorded a CD with Big Band Talleres Sedajazz. keywords: saxophone, baroque, transcription, instrument, Pietro Locatelli
Title: Violin Baroque Pieces on Soprano Saxophone
Description:
Name: José Benjamín Falces Vaquero Main Subject: Classical Saxophone Research Supervisor: Jarmo Hoogendijk Title of Research: Baroque Violin Pieces on Soprano Saxophone;Transcription of Caprice No.
26 for Violin Solo by Pietro Locatelli Research Question: How should a baroque violin piece be transcribed and played on a soprano saxophone? Summary of Results: There are so many baroque pieces for violin which have been transcribed for soprano saxophone, but there are even more performances of these pieces by almost all classical saxophonists.
The reason is that saxophonists often need to improve their repertoire and that these pieces were already frequently transcribed during the period which were made.
Also, there have been many saxophonists who have thought that this instrument can give something special to these kinds of works.
Based on interviews, questionnaires, comparison of baroque transcriptions and my own experience documented through the whole process of a transcription, this research investigates what is the best way to transcribe and play violin baroque pieces for soprano saxophone.
My main conclusion is when writing for these arrangements it is allowed to make many modifications from the original version but always depending on the characteristics of the instrument and the baroque transcription criteria and keeping the original intention of the composer.
These results will give the saxophone world more sources of how to transcribe and play these pieces, keeping in mind the original idea of the composer in the baroque style and making it more useful for the instrument.
Biography:José Benjamín Falces Vaquero has had lessons with teachers like Vincent David, Ensemble Squillante, Berlage Saxophone Quartet, Arno Bornkamp and others.
He won national prizes in Torrent, Xativa and Lliria.
He now collaborates with a few Young Orchestras: JOGV, IYPO and ORSAXCOVA.
In 2017 he received a Scholarship from the Government of Valencia.
As a jazz performer he has had lessons with teachers such as Perico Sambeat, Jerry Bergonzi, Bob Mintzer, Gregory Fritze, and recorded a CD with Big Band Talleres Sedajazz.
keywords: saxophone, baroque, transcription, instrument, Pietro Locatelli.

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