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Seated Man Playing the Harp
View through Harvard Museums
Incomplete figurine; missing part of phallus. Front is not as crisp as back, which is the side pictured here. Heavy surface accretions.
Very small figure, male, nude, seated and resting a harp on his enormous phallus. Either bald or with very short cropped hair. Symmetrical arrangement of arms and legs, though the proper left shoulder is higher than the right, possibly to accommodate the head, which faces proper right. Shapely body with small waist and wide hips, almost feminine. What remains of the harp resembles a right triangle with the strings placed parallel to its hypotenuse. The figure’s arms go around both sides of the harp, with hands placed on the strings. Legs bent up at the knee. Figure rests on a narrow plain base.
Would have been painted originally, now only faint traces of white ground extant.
Solid. Mold-made in a single bivalve mold split down the figure’s sagittal plane; likely plaster.
Deep mauve clay, smooth, well-levigated.
Department of Ancient and Byzantine Art & Numismatics
Harvard Art Museums/Arthur M. Sackler Museum Through Helmut von Erffa - Postage Fund
Title: Seated Man Playing the Harp
Description:
Incomplete figurine; missing part of phallus.
Front is not as crisp as back, which is the side pictured here.
Heavy surface accretions.
Very small figure, male, nude, seated and resting a harp on his enormous phallus.
Either bald or with very short cropped hair.
Symmetrical arrangement of arms and legs, though the proper left shoulder is higher than the right, possibly to accommodate the head, which faces proper right.
Shapely body with small waist and wide hips, almost feminine.
What remains of the harp resembles a right triangle with the strings placed parallel to its hypotenuse.
The figure’s arms go around both sides of the harp, with hands placed on the strings.
Legs bent up at the knee.
Figure rests on a narrow plain base.
Would have been painted originally, now only faint traces of white ground extant.
Solid.
Mold-made in a single bivalve mold split down the figure’s sagittal plane; likely plaster.
Deep mauve clay, smooth, well-levigated.
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