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Robe
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Palais Galliera - Musée de la Mode de la Ville de Paris
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Related Results
Robe of brocaded silk and cotton, made by Liberty & Co., London, ca. 1897. This garment was inspired by 16th-century long gowns, and it was made in Liberty's Artistic and Historic Costume Studio for a member of the Liberty family. The fairly large scale
Robe of brocaded silk and cotton, made by Liberty & Co., London, ca. 1897. This garment was inspired by 16th-century long gowns, and it was made in Liberty's Artistic and Historic Costume Studio for a member of the Liberty family. The fairly large scale
Robe of brocaded silk and cotton, made by Liberty & Co., London, ca. 1897. This garment was inspired by 16th-century long gowns, and it was made in Liberty's Artistic and Historic ...
Christening robe with sleeves of satin bound and faced with silk, England, ca. 1740. Christening robe bound and faced with pink silk and trimmed down the front with five bows made up from white silk ribbon edged with pink. The robe consists of a plain bod
Christening robe with sleeves of satin bound and faced with silk, England, ca. 1740. Christening robe bound and faced with pink silk and trimmed down the front with five bows made up from white silk ribbon edged with pink. The robe consists of a plain bod
Christening robe with sleeves of satin bound and faced with silk, England, ca. 1740. Christening robe bound and faced with pink silk and trimmed down the front with five bows made ...
Man's informal robe or banyan of silk (red faded to pink, with pattern woven in colours), lined with block-printed cotton dyed with madder. The lining has an all-over black-printed trailing vine and floral design in a design reminscent of Indian chintz, f
Man's informal robe or banyan of silk (red faded to pink, with pattern woven in colours), lined with block-printed cotton dyed with madder. The lining has an all-over black-printed trailing vine and floral design in a design reminscent of Indian chintz, f
Man's informal robe or banyan of silk (red faded to pink, with pattern woven in colours), lined with block-printed cotton dyed with madder. The lining has an all-over black-printed...
Robe of brocaded silk, England, 18th century. Robe of maroon brocaded silk. With an open front and a pleated back, and with three-quarter length sleeves. A design of flower sprigs in green, blue, reds and white on a brown ground. The facing panels on the
Robe of brocaded silk, England, 18th century. Robe of maroon brocaded silk. With an open front and a pleated back, and with three-quarter length sleeves. A design of flower sprigs in green, blue, reds and white on a brown ground. The facing panels on the
Robe of brocaded silk, England, 18th century. Robe of maroon brocaded silk. With an open front and a pleated back, and with three-quarter length sleeves. A design of flower sprigs ...
Long-Sleeved Outer Robe (Uchikake) with Decoration of Landscape, Waves, and Peonies
Long-Sleeved Outer Robe (Uchikake) with Decoration of Landscape, Waves, and Peonies
A white silk crepe (chirimen) was dyed to a dark gray color to create the ground for this long-sleeved outer robe with "twilight dying" (akebono-zome) designs. Such robes are typic...
Rectangular pendant, two back-to-back bevelled edge rock crystal panels each backed with engraved gold leaf depicting St. Catherine of Alexandria and St. Christopher, mounted in a silver frame, probably Upper Rhenish, about 1470-1480. Rectangular pendant
Rectangular pendant, two back-to-back bevelled edge rock crystal panels each backed with engraved gold leaf depicting St. Catherine of Alexandria and St. Christopher, mounted in a silver frame, probably Upper Rhenish, about 1470-1480. Rectangular pendant
Rectangular pendant, two back-to-back bevelled edge rock crystal panels each backed with engraved gold leaf depicting St. Catherine of Alexandria and St. Christopher, mounted in a ...
Cambric christening robe, cotton embroidery and needlepoint lace with floral patterns (Ayrshire work?), English, first half of the 19th century. Baby's robe, cambric fabric with white cotton embroidery, drawn work, and needlepoint lace. The V-shaped bodic
Cambric christening robe, cotton embroidery and needlepoint lace with floral patterns (Ayrshire work?), English, first half of the 19th century. Baby's robe, cambric fabric with white cotton embroidery, drawn work, and needlepoint lace. The V-shaped bodic
Cambric christening robe, cotton embroidery and needlepoint lace with floral patterns (Ayrshire work?), English, first half of the 19th century. Baby's robe, cambric fabric with wh...
Front and back views of a Dion pelisse robe and Chagot bonnet. Petit Courrier des Dames, 10 August 1833. Two women in an outside setting showing front and back views of a pale blue pelisse robe trimmed with lace ruffles and a bonnet draped with a lace vei
Front and back views of a Dion pelisse robe and Chagot bonnet. Petit Courrier des Dames, 10 August 1833. Two women in an outside setting showing front and back views of a pale blue pelisse robe trimmed with lace ruffles and a bonnet draped with a lace vei
Front and back views of a Dion pelisse robe and Chagot bonnet. Petit Courrier des Dames, 10 August 1833. Two women in an outside setting showing front and back views of a pale blue...