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DIALOGUING WITH OUTFIT – DIALOGUING WITH ICONOLOGY. ON THE PROCESS OF EXHIBITION CREATION
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The process of an exhibition being created in
a space difficult to arrange, i.e. within the former Pszczyna
Castle Stable, is discussed. In its concept, the display
bonded the collection of the Castle Museum in Pszczyna in
a dialogue with the study collection of the Fashion Museum.
The Author analyses the manner in which the use of Erwin
Panofsky’s iconology allowed to create a cohesive narrative
composed of 25 minor stories of clothing, fashion, their
mutual relation, and reference to the surrounding objects.
This, in turn, leads to the deliberation on clothing itself
and its aspects that can be investigated through different
research means, in some cases concentrating on its material
properties, in others, on the cultural ones. Therefore, the
conclusions reached are of a general character, allowing
to be used in a preparation of similar exhibitions also in
other spaces.
Title: DIALOGUING WITH OUTFIT – DIALOGUING
WITH ICONOLOGY. ON THE PROCESS
OF EXHIBITION CREATION
Description:
The process of an exhibition being created in
a space difficult to arrange, i.
e.
within the former Pszczyna
Castle Stable, is discussed.
In its concept, the display
bonded the collection of the Castle Museum in Pszczyna in
a dialogue with the study collection of the Fashion Museum.
The Author analyses the manner in which the use of Erwin
Panofsky’s iconology allowed to create a cohesive narrative
composed of 25 minor stories of clothing, fashion, their
mutual relation, and reference to the surrounding objects.
This, in turn, leads to the deliberation on clothing itself
and its aspects that can be investigated through different
research means, in some cases concentrating on its material
properties, in others, on the cultural ones.
Therefore, the
conclusions reached are of a general character, allowing
to be used in a preparation of similar exhibitions also in
other spaces.
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