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Zweig and the Chinese Love-Letter Fever
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In the 1920s and 1930s China was swept by a “love-letter fever,” a craze for real and fictional romantic letters (qingshu). One of this trend’s most important representatives was the notoriously frivolous writer Zhang Yiping (1902-1946). This chapter places Zhang’s retranslation of Stefan Zweig’s Letter from an Unknown Woman of 1933 against the background of the young Chinese Republic’s ongoing struggles for modernity, when a multitude of theories on literature and its social functions were competing with each other. It also shows how Zhang used the prestige of a European writer in his feud with Lu Xun (1881-1936), one of China’s most influential writers. Taking the Chinese discourses as a starting point, a close reading of Letter from an Unknown Woman concludes the chapter. Beyond the framework of epistolary fiction and the love-letter genre the work reveals complex narrative strategies and literary dimensions which significantly complicate existing interpretations of Zweig’s most famous novella.
Title: Zweig and the Chinese Love-Letter Fever
Description:
In the 1920s and 1930s China was swept by a “love-letter fever,” a craze for real and fictional romantic letters (qingshu).
One of this trend’s most important representatives was the notoriously frivolous writer Zhang Yiping (1902-1946).
This chapter places Zhang’s retranslation of Stefan Zweig’s Letter from an Unknown Woman of 1933 against the background of the young Chinese Republic’s ongoing struggles for modernity, when a multitude of theories on literature and its social functions were competing with each other.
It also shows how Zhang used the prestige of a European writer in his feud with Lu Xun (1881-1936), one of China’s most influential writers.
Taking the Chinese discourses as a starting point, a close reading of Letter from an Unknown Woman concludes the chapter.
Beyond the framework of epistolary fiction and the love-letter genre the work reveals complex narrative strategies and literary dimensions which significantly complicate existing interpretations of Zweig’s most famous novella.
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