Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Cotton headscarf with imitation batik

View through Europeana Collections
Angisa with imitation batik patterns (Yampanesi krosi) in French folding style (French-ede tai).‖ Angisa are starched cotton printed cloths.Through these headgear, women in Suriname passed 'secret' (though known to all 'insiders') messages to each other through various ways of folding, the pattern and possibly the name of the cloth. \Angisas are almost always machine printed, although the first angisas were often white with some embroidery (van Russel-Henar, 1988:25). \Angisas are part of the costume of a kotomisi. The koto is a traditional costume that originated in Suriname and is often said to have been created by plantation owners and their wives to dress their enslaved wives in a "dignified" manner. however, literature (van Russel-Henar, 2008; van Putten, 1988) describes a broader development of the koto that really began after the time of slavery. The costume consists of a koto (skirt), jaki (jacket) and angisa (head scarf). The religious affiliation of the owner and the person being enslaved could be seen in the costume. Although it used to be everyday clothing, the koto later changed into casual clothing. The koto, and especially the angisa, spoke and speak a secret language (Henar-Hewitt, 1987:35).________________________ The passing on of messages to insiders by tying the headscarf in a certain way originated with the Ashanti of Ghana. They constituted the largest percentage of slaves in Suriname during the period 1730-1780. Not only the way of binding but also the pattern, the colour and possibly the name of the cloth are references to the mood of the wearer and her message at that moment. For example, there were cloths folded as: peacock-tere (peacock tail), boto-ede (boat head), lontoe ede (round head), this was/is for distinguished occasions and mourning. Prois ede, folding for weddings (prois = presumably prey, or to the European Prussia, referring to chic and festive. When the angisa is starched and folded, it is fastened with pins and kept that way, or sometimes folded again (but that costs money and time). The cloths are also always starched (with gomma, cassava starch, or candle wax, nowadays also modern types of starch). \Creole women tend to dress in global clothing, but angisas are certainly still worn. For example, there are women in European dress with headscarves, which is called palito. To be able to wear the angisa properly the hair is put up in a special way. If an older woman has too little hair, she often first folds a cloth around the head. The less hair that came out from under the cloth, the neater the woman looked. Very special is the festive costume with a head covering of three to four cloths, creating six to eight points. On birthdays angisa's are used as decoration against the wall, in baskets (made up as flowers: angisa bouquet or bobeti) or as souvenirs mini angisa's were and still are given. As a great tribute they were also spread out on the floor as a runner.When a new cloth comes on the market, advice is sought on its naming after which the cloth is opened, i.e. baptized. The following names can be distinguished: -new cloths which go back to an important event in world events; -orange cloths; -cloths which get their name from an event in the city; -sayings or sayings; -answers, signal cloths; -according to R.D. Simons, enslaved women from Africa wore only a pangi of blue cloth manufactured in Haarlem. In the beginning the upper body was bare. Therefore, according to the story, the Hernhutters designed a costume for the women. Thus the koto came into being (1959:9-12). \Headscarves are popular collectibles among Afro-Surinamese women.
Title: Cotton headscarf with imitation batik
Description:
Angisa with imitation batik patterns (Yampanesi krosi) in French folding style (French-ede tai).
‖ Angisa are starched cotton printed cloths.
Through these headgear, women in Suriname passed 'secret' (though known to all 'insiders') messages to each other through various ways of folding, the pattern and possibly the name of the cloth.
\Angisas are almost always machine printed, although the first angisas were often white with some embroidery (van Russel-Henar, 1988:25).
\Angisas are part of the costume of a kotomisi.
The koto is a traditional costume that originated in Suriname and is often said to have been created by plantation owners and their wives to dress their enslaved wives in a "dignified" manner.
however, literature (van Russel-Henar, 2008; van Putten, 1988) describes a broader development of the koto that really began after the time of slavery.
The costume consists of a koto (skirt), jaki (jacket) and angisa (head scarf).
The religious affiliation of the owner and the person being enslaved could be seen in the costume.
Although it used to be everyday clothing, the koto later changed into casual clothing.
The koto, and especially the angisa, spoke and speak a secret language (Henar-Hewitt, 1987:35).
________________________ The passing on of messages to insiders by tying the headscarf in a certain way originated with the Ashanti of Ghana.
They constituted the largest percentage of slaves in Suriname during the period 1730-1780.
Not only the way of binding but also the pattern, the colour and possibly the name of the cloth are references to the mood of the wearer and her message at that moment.
For example, there were cloths folded as: peacock-tere (peacock tail), boto-ede (boat head), lontoe ede (round head), this was/is for distinguished occasions and mourning.
Prois ede, folding for weddings (prois = presumably prey, or to the European Prussia, referring to chic and festive.
When the angisa is starched and folded, it is fastened with pins and kept that way, or sometimes folded again (but that costs money and time).
The cloths are also always starched (with gomma, cassava starch, or candle wax, nowadays also modern types of starch).
\Creole women tend to dress in global clothing, but angisas are certainly still worn.
For example, there are women in European dress with headscarves, which is called palito.
To be able to wear the angisa properly the hair is put up in a special way.
If an older woman has too little hair, she often first folds a cloth around the head.
The less hair that came out from under the cloth, the neater the woman looked.
Very special is the festive costume with a head covering of three to four cloths, creating six to eight points.
On birthdays angisa's are used as decoration against the wall, in baskets (made up as flowers: angisa bouquet or bobeti) or as souvenirs mini angisa's were and still are given.
As a great tribute they were also spread out on the floor as a runner.
When a new cloth comes on the market, advice is sought on its naming after which the cloth is opened, i.
e.
baptized.
The following names can be distinguished: -new cloths which go back to an important event in world events; -orange cloths; -cloths which get their name from an event in the city; -sayings or sayings; -answers, signal cloths; -according to R.
D.
Simons, enslaved women from Africa wore only a pangi of blue cloth manufactured in Haarlem.
In the beginning the upper body was bare.
Therefore, according to the story, the Hernhutters designed a costume for the women.
Thus the koto came into being (1959:9-12).
\Headscarves are popular collectibles among Afro-Surinamese women.

Related Results

Model of a Surinamese Creole headscarf
Model of a Surinamese Creole headscarf
Model of a Creole headscarf, folded to form 'otto bakka', a car bumper. The motifs are derived from Indonesian batik, called Yampanesi. \The motifs are derived from Indonesian bati...
Model of a Surinamese Creole headscarf
Model of a Surinamese Creole headscarf
In peacock tail, pawtere, folded model of an angisa. The motifs are an imitation of Javanese batik: yampanesi. These kinds of cloths are worn at parties.\nAngisa's are starched cot...
Model of a Surinamese Creole headscarf
Model of a Surinamese Creole headscarf
A headscarf folded into a fan with motifs derived from Javanese batik, Yampanesi.‖ Through these headgear, women in Suriname passed 'secret' (though known to all 'insiders') messag...
Surinamese-Creole headscarf to commemorate the 75th anniversary of the abolition of slavery on July 1, 1863
Surinamese-Creole headscarf to commemorate the 75th anniversary of the abolition of slavery on July 1, 1863
Cotton headscarf commemorating the abolition of slavery on that date 75 years ago. In each corner, a sailing ship is flanked by roses; on the edges, the word "emancipation" is prin...
Cotton Surinamese Creole headscarf
Cotton Surinamese Creole headscarf
Cotton kerchief, folded in peacock-tere, peacock tail. The meaning of the fabric and method of folding is unknown, though it is based on Indonesian batik. \In this way, the women i...
Cotton Surinamese Creole headscarf folded in the French manner
Cotton Surinamese Creole headscarf folded in the French manner
Folded according to the French manner, the headscarf is printed with ribbons and loops, with a heart with a key in it.‖ Through these headgear, women in Suriname passed 'secret' (t...
Model of a Surinamese Creole headscarf
Model of a Surinamese Creole headscarf
Headscarf, folded in bow-ede, with a pattern said to be derived from Javanese batik, 'Yampanesi'.‖ Through these headgear, women in Suriname passed 'secret' (though known to all 'i...
Model of a Surinamese Creole headscarf
Model of a Surinamese Creole headscarf
Headscarf that bears the name of a musical type, Kawna. The motifs are derived from Javanese batik patterns, Yampanesi.\nAngisa's are starched cotton printed cloths.Through these h...

Back to Top