Javascript must be enabled to continue!
Follies in America
View through CrossRef
This book examines historicized garden buildings, known as “follies,” from the nation's founding through the American centennial celebration in 1876. In a period of increasing nationalism, follies — such as temples, summerhouses, towers, and ruins — brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness. The book examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.
Title: Follies in America
Description:
This book examines historicized garden buildings, known as “follies,” from the nation's founding through the American centennial celebration in 1876.
In a period of increasing nationalism, follies — such as temples, summerhouses, towers, and ruins — brought a range of European architectural styles to the United States.
By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness.
The book examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.
Related Results
Conclusion
Conclusion
This concluding chapter explores the enduring fascination with follies in the years after the nineteenth century. Although early modernism was starting to challenge historicism in ...
Introduction
Introduction
This introductory chapter discusses the architecture known as “follies” and their playful, whimsical presence in the United States as garden structures. In addition to these, many ...
Follies embodied: A Kleinian perspective
Follies embodied: A Kleinian perspective
Director Eric Schaeffer’s revival of Follies, which transferred to Broadway’s Marquis Theatre in August 2011 after a limited run at the Kennedy Center, is, like all previous incarn...
Ziegfeld Follies (1907–1931)
Ziegfeld Follies (1907–1931)
Named after its founder, Broadway impresario Florenz Ziegfeld (1867–1932), and inspired by the Folies Bergères in Paris, the Ziegfeld Follies (1907–1931) remains one of the most ce...
DONOSO ROMO, Andres. A Educação Emancipatória: Iván Illich, Paulo Freire, Ernesto Guevara e o Pensamento Latino-Americano. Tradução de Daniel Garroux e Mariana Moreno Castilho. São Paulo: EDUSP, 2020, 142 p
DONOSO ROMO, Andres. A Educação Emancipatória: Iván Illich, Paulo Freire, Ernesto Guevara e o Pensamento Latino-Americano. Tradução de Daniel Garroux e Mariana Moreno Castilho. São Paulo: EDUSP, 2020, 142 p
A obra aqui apresentada foi escrita por Andrés Donoso Romo, Doutor em Ciências com menção em Integração da América Latina pela Universidade de São Paulo (USP), pesquisador do Centr...
Hare Follies
Hare Follies
“Hare Follies” is a performance script commissioned by the Brooklyn Academy of Music. This work by Nayland Blake explores racism and the artist's personal psychodrama. The characte...
Shubert Sonata
Shubert Sonata
Abstract
The Ziegfeld Follies was and remains the ultimate in theatrical glamor. It was Broadway at its finest-the most gorgeous sets and costumes, the most beaut...
Transnationalism and nostalgia: Gianfranco Pannone’s ‘American Trilogy’
Transnationalism and nostalgia: Gianfranco Pannone’s ‘American Trilogy’
Abstract
The article examines Gianfranco Pannone’s ‘American Trilogy’ – Piccola America. Gente del Nord a Sud di Roma/‘Little America. People from the North to the S...

