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Die Messe des heiligen Gregor
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In 1511, the artist copied Dürer’s designed woodcut “The Mass of Saint Gregory” from the original page and thus depicted the well-known legend from the life of Pope Gregory the Great. Although Hopfer implemented the motif in the technique of etching, the orientation on the template is clearly visible. When a woman doubts the Eucharist at a mass in St. Peter, Gregory asks for a sign of God to dispel the concerns. Like Dürer, Saint Gregory and two attendants kneel on a step in front of the altar as the thorn-crowned Savior appears. This is in an open sarcophagus, presents its palm wounds and is surrounded by instruments of its suffering and other symbols of its history of suffering, e.g. the rooster for the symbolization of betrayal. In the background there are spiritual dignitaries and up the leaf closes through the cloud-hanging sky. Instead of Dürer monogram and dating, the character Hopfer is integrated into the representation.
Title: Die Messe des heiligen Gregor
Description:
In 1511, the artist copied Dürer’s designed woodcut “The Mass of Saint Gregory” from the original page and thus depicted the well-known legend from the life of Pope Gregory the Great.
Although Hopfer implemented the motif in the technique of etching, the orientation on the template is clearly visible.
When a woman doubts the Eucharist at a mass in St.
Peter, Gregory asks for a sign of God to dispel the concerns.
Like Dürer, Saint Gregory and two attendants kneel on a step in front of the altar as the thorn-crowned Savior appears.
This is in an open sarcophagus, presents its palm wounds and is surrounded by instruments of its suffering and other symbols of its history of suffering, e.
g.
the rooster for the symbolization of betrayal.
In the background there are spiritual dignitaries and up the leaf closes through the cloud-hanging sky.
Instead of Dürer monogram and dating, the character Hopfer is integrated into the representation.
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