Famiglie d’Arte: Eleonora Duse e il sostrato teatrale ottocentesco

Eleonora Álvarez di (of) Toledo (b. 1522–d. 1562) was the second duchess of Florence and married Cosimo I de’ Medici (b. 1519–d. 1574) in 1539. She was born in Léon, Spain, and the...

This essay offers the reading of several Eleonora Duse’s unpublished works, written during a period of time between 1883 and 1921. In these writings a variously assorted network of...

En Arte Versus No- Arte: Arte Fuera de la Mente, Tsion Avital plantea la pregunta, ¿Es el arte moderno realmente arte? Él argumenta que todo el arte no-representacional que se ha p...

Neste livro, Otília reconstitui as grandes linhas de uma trajetória, nada linear, de um dos maiores críticos de arte do Brasil e que acompanhou de perto, ao longo de quase todo o s...

The article is devoted to works pertaining to small opera genres (festa teatrale, azione teatrale, componimento drammatico) created in Vienna during the 1750s and the 1760s. As a r...

U središtu ovog članku nalazi se Frkićevo razumijevanje intelekta i besmrtnosti duše o kojemu piše u svom djelu Vestigationes peripateticae de quibusdam philosophicis ad mentem Ari...

The paintings "U središtu duše", "Na raskršću" and "Sloboda" are part of the series "Svijetli dodiri duše" (by Adela Nurković-Kulenović), which the artist experiences as a personal...

Eleonora Duse first meets Giuseppe Giacosa in 1880, at her Turin debut, after the neapolitan experience and having just joined the Città di Torino Company, directed by Cesare Rossi...