Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
drawing (pencil): ["The Sea Shore"]
View through Europeana Collections
A seascape with multiple boats on the water, several at the water's edge. Figures are visible working on two of the boats. At centre left a woman walks towards the viewer. She wears a dark blouse and long skirt with a white apron and carries a basket on her head, balanced with one hand. The woman and the boats cast long shadows over the rocky shore. The sky is cloudy and grey over the horizon, with a bright break in the clouds at upper centre. This pale light is also reflected in the foreground shallows, creating a soft day-break effect. Signed in pencil at bottom right, 'Thomas Barrett/1896' with line underneath. See also NCM 1958-9
Title: drawing (pencil): ["The Sea Shore"]
Description:
A seascape with multiple boats on the water, several at the water's edge.
Figures are visible working on two of the boats.
At centre left a woman walks towards the viewer.
She wears a dark blouse and long skirt with a white apron and carries a basket on her head, balanced with one hand.
The woman and the boats cast long shadows over the rocky shore.
The sky is cloudy and grey over the horizon, with a bright break in the clouds at upper centre.
This pale light is also reflected in the foreground shallows, creating a soft day-break effect.
Signed in pencil at bottom right, 'Thomas Barrett/1896' with line underneath.
See also NCM 1958-9.
Related Results
Designs (14) for embroidered borders featuring stylised flowers and scallop-shell shapes, ca. 1836, by Sarah Bland (1810-1905). Designs (14) in pen and ink, pencil and one coloured with watercolour of stylised floral borders. Three of the designs feature
Designs (14) for embroidered borders featuring stylised flowers and scallop-shell shapes, ca. 1836, by Sarah Bland (1810-1905). Designs (14) in pen and ink, pencil and one coloured with watercolour of stylised floral borders. Three of the designs feature
Designs (14) for embroidered borders featuring stylised flowers and scallop-shell shapes, ca. 1836, by Sarah Bland (1810-1905). Designs (14) in pen and ink, pencil and one coloured...
Designs (3) for embroidered borders of garments and an apron or kerchief, ca. 1836-1854, by Sarah Bland (1810-1905). Designs (3) in pen and ink and pencil for stylised floral bordering. Pen and ink and pencil on tracing paper.
Designs (3) for embroidered borders of garments and an apron or kerchief, ca. 1836-1854, by Sarah Bland (1810-1905). Designs (3) in pen and ink and pencil for stylised floral bordering. Pen and ink and pencil on tracing paper.
Designs (3) for embroidered borders of garments and an apron or kerchief, ca. 1836-1854, by Sarah Bland (1810-1905). Designs (3) in pen and ink and pencil for stylised floral borde...
Designs (17) for stylised floral motifs and border patterns, ca. 1836-1854, by Sarah Bland (1810-1905). Designs (17) in pencil, pen and brown and blue ink on tracing paper. These designs are for scalloped hems decorated in stylised floral motifs. Pen and
Designs (17) for stylised floral motifs and border patterns, ca. 1836-1854, by Sarah Bland (1810-1905). Designs (17) in pencil, pen and brown and blue ink on tracing paper. These designs are for scalloped hems decorated in stylised floral motifs. Pen and
Designs (17) for stylised floral motifs and border patterns, ca. 1836-1854, by Sarah Bland (1810-1905). Designs (17) in pencil, pen and brown and blue ink on tracing paper. These d...
St. Augustine
St. Augustine
Pencil drawing and colour scheme for unidentified stained glass window of St Augustine with dragon clutching a book of heresies under foot, Holy Spirit overhead.
Signatures/ Insc...
[Detalles arquitectónicos de la ermita de Nuestra Señora de Salas, Huesca] [Material gráfico]
[Detalles arquitectónicos de la ermita de Nuestra Señora de Salas, Huesca] [Material gráfico]
On the right edge, in pencil: “En Portada de la ermita de Salas.” In the lower right with pencil: “in the portico.” In ink: “de Salas.” Under the shields in the lower right: “weapo...
Design for woven silk from the 'Leman Album', pencil, pen and ink and watercolour on laid paper, by James Leman, Spitalfields, 1711. Pencil, pen and ink and watercolour on laid paper
Design for woven silk from the 'Leman Album', pencil, pen and ink and watercolour on laid paper, by James Leman, Spitalfields, 1711. Pencil, pen and ink and watercolour on laid paper
Design for woven silk from the 'Leman Album', pencil, pen and ink and watercolour on laid paper, by James Leman, Spitalfields, 1711. Pencil, pen and ink and watercolour on laid pa...
Design for woven silk from the 'Leman Album', pencil, pen and ink and watercolour on laid paper, by James Leman, Spitalfields, 1712. Pencil, pen and ink and watercolour on laid paper
Design for woven silk from the 'Leman Album', pencil, pen and ink and watercolour on laid paper, by James Leman, Spitalfields, 1712. Pencil, pen and ink and watercolour on laid paper
Design for woven silk from the 'Leman Album', pencil, pen and ink and watercolour on laid paper, by James Leman, Spitalfields, 1712. Pencil, pen and ink and watercolour on laid pa...
Madame Handley-Seymour. White draped jacket with ruched, puffed sleeves and knee-length gathered peplum skirt over black pencil skirt. London, Spring 1936. One of 4863 fashion designs bound in one of 48 volumes. Pencil, pen and ink, and watercolour
Madame Handley-Seymour. White draped jacket with ruched, puffed sleeves and knee-length gathered peplum skirt over black pencil skirt. London, Spring 1936. One of 4863 fashion designs bound in one of 48 volumes. Pencil, pen and ink, and watercolour
Madame Handley-Seymour. White draped jacket with ruched, puffed sleeves and knee-length gathered peplum skirt over black pencil skirt. London, Spring 1936. One of 4863 fashion desi...