Javascript must be enabled to continue!
Comic Authority in Aristophanes’ Knights
View through CrossRef
This article investigates the relationship between comic speech and political authority in democratic Athens through a reading of Aristophanes’ Knights. The article surveys three different interpretations of how Aristophanes constructs the authority of his comic persona in the play: (1) he contrasts comic speech with rhetorical speech to illustrate the superiority of the former (comic superiority); (2) he reflexively reveals to the audience the potential deceptiveness of comic speech (comic reflexiveness); and (3) he mocks his own claims to authority through the construction of a comically boastful persona (comic anti-authority). It is argued that the final two readings best capture the spirit of Aristophanic comedy, pointing to an affinity between the comic authority constructed by Aristophanes and the democratic conception of authority in operation in classical Athens.
Title: Comic Authority in Aristophanes’ Knights
Description:
This article investigates the relationship between comic speech and political authority in democratic Athens through a reading of Aristophanes’ Knights.
The article surveys three different interpretations of how Aristophanes constructs the authority of his comic persona in the play: (1) he contrasts comic speech with rhetorical speech to illustrate the superiority of the former (comic superiority); (2) he reflexively reveals to the audience the potential deceptiveness of comic speech (comic reflexiveness); and (3) he mocks his own claims to authority through the construction of a comically boastful persona (comic anti-authority).
It is argued that the final two readings best capture the spirit of Aristophanic comedy, pointing to an affinity between the comic authority constructed by Aristophanes and the democratic conception of authority in operation in classical Athens.
Related Results
ARISTOPHANES VS TYPHON: CO(S)MIC RIVALRY, VOICE AND TEMPORALITY INKNIGHTS
ARISTOPHANES VS TYPHON: CO(S)MIC RIVALRY, VOICE AND TEMPORALITY INKNIGHTS
Recent studies have analysed the essential role of interpoetic rivalry in Aristophanes' comic imagination. Zachary Biles has shown that ‘festival agonistics provide an underlying l...
As If We Were Codgers: Flattery, Parrhēsia and Old Man Demos in Aristophanes’ Knights
As If We Were Codgers: Flattery, Parrhēsia and Old Man Demos in Aristophanes’ Knights
In Knights, Aristophanes represents the dangers of parrhēsia run amuck with the near-destruction of an elderly man’s (Demos) Athenian household by Paphlagon (a stand-in for the Ath...
The Hermeneutic of the Malay Comic: Unveiling the Symbolism of Love in Selendang Siti Rugayah
The Hermeneutic of the Malay Comic: Unveiling the Symbolism of Love in Selendang Siti Rugayah
A comic is a form of sequential art that incorporates the integrated textual and visual aspects to reveal the desired meaning. It involves storytelling techniques with narrative el...
Athena and the Paphlagonian in Aristophanes' Knights. Re-considering Equites 1090-5, 1172-81
Athena and the Paphlagonian in Aristophanes' Knights. Re-considering Equites 1090-5, 1172-81
AbstractThis paper re-examines the treatment of Athena in some passages of Aristophanes' Knights along the lines of a previous study by C.A. Anderson (1991 and 1995). Two topics wi...
Old Persian Marika-, Eupolis Marikas And Aristophanes Knights
Old Persian Marika-, Eupolis Marikas And Aristophanes Knights
The little we know with certainty about Eupolis' Marikas can be summarised in a few lines. (1) The play was produced at the Lenaea of 421 b.c. (2) The demagogue Hyperbolus was sati...
Authority Through Freedom. On Freire’s Radicalisation of the Authority-Freedom Problem in Education
Authority Through Freedom. On Freire’s Radicalisation of the Authority-Freedom Problem in Education
Paulo Freire’s approach to the question of ‘authority and freedom’ in education and teaching (as well as in the political sphere), takes its cue from his early and radical approach...
A Career in the Navy (Arist. Knights 541–4)
A Career in the Navy (Arist. Knights 541–4)
Aristophanes' description of the stages of promotion in the Athenian navy recently received renewed attention, when Mastromarco and Halliwell enlisted it in their battle against th...
Sketching Under the Influence? Winsor McCay and the Question of Aesthetic Convergence Between Comic Strips and Film
Sketching Under the Influence? Winsor McCay and the Question of Aesthetic Convergence Between Comic Strips and Film
The formal similarities between comic strips and film have often sparked a contentious debate about aesthetic intersections between the two mediums as well as discussions of influe...