Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Seal-die of Prince Lazar from Rudnik

View through CrossRef
The medieval settlement on the Rudnik Mountain was established, most probably, in the final decades of the 13th century. Soon it evolved into one of the best known mining and commercial centres in the Serbian state and reached its peak during the 14th and in the first half of the 15th century. The importance of Rudnik in the medieval period is confirmed by numerous material traces in the field. The most important discoveries in the course of archaeological investigations carried out since 2009 have been encountered in the area called Drenje, not far from the centre of the town of Rudnik (figs. 1, 2).Three churches (two Orthodox and one Roman Catholic), as well as many profane structures dated to the time of a thriving medieval Rudnik have so far been discovered. It indicates that in that area are the remains of the main settlement and the medieval market place of Rudnik, known from written sources. Among other structures at the site of Drenje, in the garden of S. Markovi}, the remains of rather a large building consisting, according to present data, of at least two rooms, have been investigated during the past three years (fig. 3). Important for dating the structure is a coin of the Hungarian king Sigismund of Luxembourg (1387-1437), discovered on the floor. Traces of an earlier phase of life were encountered under the structure (fig. 5). Coins have been found in two earlier pits. In the soil inside pit 11 a coin of the Hungarian king Charles Robert (1308-1342) was found, while in the top level of pit 2 a coin attributed to Prince Lazar (around 1370-1389) was found. Also from pit 2 came a, so far, unique archaeological find in our territory. It has been explained as a seal-die used for producing seals (fig, 7, 8). The representation in the central field and the contents of the inscription bear witness to the fact that the seal-die belonged to Prince Lazar. A helmet with bull horns engraved on the front side is understood to be the coat of arms of Prince Lazar, also used by his successors. The central field is surrounded by two concentric circles and between them is a circular inscription (fig. 9): + SI ? HARB GDNA KNEZA LAZARA SVE SRBSKE ZEMLE Translation of the inscription: + this is the grace of Lord Prince Lazar of the whole Serbian lands A seal stamped using the seal-die from Rudnik has not yet been found. The content of the inscription on the Rudnik sealdie is also quite unusual and unique. The word har? is translated to mean grace, a word that has not been recorded on any other stamp to date. On the other hand, the word grace has a distinct meaning in Serbian charters, denoting the legal activity of specific contents by which the ruler awarded nobles, the Church, market-towns, etc. The ruler?s grace as a legal act of distinct content must have been apparent and public and, as evidence of this grace, there would have been a distinct document. The very word grace is used in the documents as the name for a legal public document by which rulers ?created grace?, ?made grace? or allowed something by their grace. Taking this into account, it could be concluded that any seal stamped with the Rudnik sealdie as a means of notarisation of the document confirmed that the document represented the ruler?s grace in the sense of a valid legal public document. Considering the shape and size of the seal-die, it could be ascribed to the seal-die group for which it is characteristic that the seal was obtained not by impressing the seal-die in wax but by pressing the wax onto the seal-die, disregarding whether it was an applied or hanging seal. Supporting this assumption is the existence of small notches in the bottom corners of the Rudnik seal-die that were most probably used for connecting to the top part, making possible a better stamping of the seal, possibly even allowing the seal to have representations on both sides. The seal-die is dated from the time of Lazar?s rule over Rudnik, between 1373 and 1389. Mentioned in the inscription is the rule of Prince Lazar over all Serbian lands, suggesting that the date of the seal-die could be fixed in the final decade of Lazar?s life. It was most probably buried in 1390, during the time of King Sigismund?s attack on Serbia. One of the most important theatres of war in that campaign was the Rudnik region.
National Library of Serbia
Title: Seal-die of Prince Lazar from Rudnik
Description:
The medieval settlement on the Rudnik Mountain was established, most probably, in the final decades of the 13th century.
Soon it evolved into one of the best known mining and commercial centres in the Serbian state and reached its peak during the 14th and in the first half of the 15th century.
The importance of Rudnik in the medieval period is confirmed by numerous material traces in the field.
The most important discoveries in the course of archaeological investigations carried out since 2009 have been encountered in the area called Drenje, not far from the centre of the town of Rudnik (figs.
1, 2).
Three churches (two Orthodox and one Roman Catholic), as well as many profane structures dated to the time of a thriving medieval Rudnik have so far been discovered.
It indicates that in that area are the remains of the main settlement and the medieval market place of Rudnik, known from written sources.
Among other structures at the site of Drenje, in the garden of S.
Markovi}, the remains of rather a large building consisting, according to present data, of at least two rooms, have been investigated during the past three years (fig.
3).
Important for dating the structure is a coin of the Hungarian king Sigismund of Luxembourg (1387-1437), discovered on the floor.
Traces of an earlier phase of life were encountered under the structure (fig.
5).
Coins have been found in two earlier pits.
In the soil inside pit 11 a coin of the Hungarian king Charles Robert (1308-1342) was found, while in the top level of pit 2 a coin attributed to Prince Lazar (around 1370-1389) was found.
Also from pit 2 came a, so far, unique archaeological find in our territory.
It has been explained as a seal-die used for producing seals (fig, 7, 8).
The representation in the central field and the contents of the inscription bear witness to the fact that the seal-die belonged to Prince Lazar.
A helmet with bull horns engraved on the front side is understood to be the coat of arms of Prince Lazar, also used by his successors.
The central field is surrounded by two concentric circles and between them is a circular inscription (fig.
9): + SI ? HARB GDNA KNEZA LAZARA SVE SRBSKE ZEMLE Translation of the inscription: + this is the grace of Lord Prince Lazar of the whole Serbian lands A seal stamped using the seal-die from Rudnik has not yet been found.
The content of the inscription on the Rudnik sealdie is also quite unusual and unique.
The word har? is translated to mean grace, a word that has not been recorded on any other stamp to date.
On the other hand, the word grace has a distinct meaning in Serbian charters, denoting the legal activity of specific contents by which the ruler awarded nobles, the Church, market-towns, etc.
The ruler?s grace as a legal act of distinct content must have been apparent and public and, as evidence of this grace, there would have been a distinct document.
The very word grace is used in the documents as the name for a legal public document by which rulers ?created grace?, ?made grace? or allowed something by their grace.
Taking this into account, it could be concluded that any seal stamped with the Rudnik sealdie as a means of notarisation of the document confirmed that the document represented the ruler?s grace in the sense of a valid legal public document.
Considering the shape and size of the seal-die, it could be ascribed to the seal-die group for which it is characteristic that the seal was obtained not by impressing the seal-die in wax but by pressing the wax onto the seal-die, disregarding whether it was an applied or hanging seal.
Supporting this assumption is the existence of small notches in the bottom corners of the Rudnik seal-die that were most probably used for connecting to the top part, making possible a better stamping of the seal, possibly even allowing the seal to have representations on both sides.
The seal-die is dated from the time of Lazar?s rule over Rudnik, between 1373 and 1389.
Mentioned in the inscription is the rule of Prince Lazar over all Serbian lands, suggesting that the date of the seal-die could be fixed in the final decade of Lazar?s life.
It was most probably buried in 1390, during the time of King Sigismund?s attack on Serbia.
One of the most important theatres of war in that campaign was the Rudnik region.

Related Results

King Kong-verwerkings (1959-2017): Deurkruisings van kultuur en samelewing
King Kong-verwerkings (1959-2017): Deurkruisings van kultuur en samelewing
Die verwerking van die musiekblyspel King Kong in 2017 sou nie gedoen kon word sonder om die oorspronklike musiekblyspel van 1959 op te roep in die geheue van sowel die vervaardige...
Boundaries: an Interdisciplinary (Hi)Story
Boundaries: an Interdisciplinary (Hi)Story
The experience and awareness of boundaries forms an integral part of being human. This article investigates the systematic philosophical underpinnings of our understanding of the n...
Spatial and temporal thresholds in installation art: Jan van der Merwe’s Eclipse
Spatial and temporal thresholds in installation art: Jan van der Merwe’s Eclipse
The notion of thresholds and their potential to suggest liminality is usually associated with spatialities. However, I contend this notion can be extended to layered temporal thres...
Generaal CF Beyers: Sy lewensbeskouing soos weerspieël in sy openbare standpunte
Generaal CF Beyers: Sy lewensbeskouing soos weerspieël in sy openbare standpunte
Generaal CF Beyers het uit die Anglo-Boereoorlog van 1899-1902 getree as 'n erkende militêre aanvoerder, strateeg én Afrikanerleier. Beyers is namens die Zuid-Afrikaansche Republie...
Die triomf van die silwerdoek: Christiaan Olwagen se filmverwerking van Die seemeeu
Die triomf van die silwerdoek: Christiaan Olwagen se filmverwerking van Die seemeeu
Hierdie artikel ontleed enkele aspekte van Christiaan Olwagen se 2018-filmverwerking van Anton Tsjekow se drama Die seemeeu. In hierdie verwerking is die gegewe van die oorspronkli...
Persepsies oor die sinodebesluite en aard van die psalms binne die GKSA
Persepsies oor die sinodebesluite en aard van die psalms binne die GKSA
Perceptions regarding synod decisions and the nature of psalms in the RCSA. Since its inception in 1859, the Reformed Church in South Africa has been singing only psalms, scriptura...

Back to Top