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The Humble, Gender, and the Local in Contemporary British and Irish Fiction

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The article proposes to examine the connection indicated by the title which suggests that the narrative portrayal of ‘the humble’ is linked respectively to notions of masculinity and femininity and the bond with accustomed or contained places. Novels by Irish writers William Trevor, Sebastian Barry and Colm Toíbín use female protagonists to illustrate ‘the humble’ by figural representation, set in a restrictive and often stifling spatial and social environment. While circumscribed domesticity has been a hallmark of women characters in the English novel since the 18th century several contemporary writers, among them Graham Swift, have created male narrators and focalisers whose life and disposition were shaped by catastrophic or depressing events, so that they become representatives of ‘the humble.’ As Swift’s most recent short stories exemplify the anti-climactic course of life of ordinary people might also contain sufficient disillusioning potential for melancholia and the feeling of humiliation. The present narratives strikingly point to the inherent ambiguities of humbleness or the relation of dignity, vulnerability and ‘the humble.’
Title: The Humble, Gender, and the Local in Contemporary British and Irish Fiction
Description:
The article proposes to examine the connection indicated by the title which suggests that the narrative portrayal of ‘the humble’ is linked respectively to notions of masculinity and femininity and the bond with accustomed or contained places.
Novels by Irish writers William Trevor, Sebastian Barry and Colm Toíbín use female protagonists to illustrate ‘the humble’ by figural representation, set in a restrictive and often stifling spatial and social environment.
While circumscribed domesticity has been a hallmark of women characters in the English novel since the 18th century several contemporary writers, among them Graham Swift, have created male narrators and focalisers whose life and disposition were shaped by catastrophic or depressing events, so that they become representatives of ‘the humble.
’ As Swift’s most recent short stories exemplify the anti-climactic course of life of ordinary people might also contain sufficient disillusioning potential for melancholia and the feeling of humiliation.
The present narratives strikingly point to the inherent ambiguities of humbleness or the relation of dignity, vulnerability and ‘the humble.
’.

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