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Dresden, Grundriss des Morettischen Theaters im Italienischen Dörfchen im Jahr 1789 mit einem Maßstab (ab 1780 Hoftheater, 1841 nach Errichtung der ersten Semperoper abgerissen)
Title: Dresden, Grundriss des Morettischen Theaters im Italienischen Dörfchen im Jahr 1789 mit einem Maßstab (ab 1780 Hoftheater, 1841 nach Errichtung der ersten Semperoper abgerissen)
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Portrait collection of ensemble members of the Dresden Hofkapelle (Kgl. Sächsische Musikalische Por) under music director Ernst Schuch. Plaque with photographs from: Kohut, Adolph: The Dresden Hoftheater in the present. Dresden and Leipzig: E. Pierson 's
Portrait collection of ensemble members of the Dresden Hofkapelle (Kgl. Sächsische Musikalische Por) under music director Ernst Schuch. Plaque with photographs from: Kohut, Adolph: The Dresden Hoftheater in the present. Dresden and Leipzig: E. Pierson 's
Portrait collection of ensemble members of the Dresden Hofkapelle (Kgl. Sächsische Musikalische Por) under music director Ernst Schuch. Plaque with photographs from: Kohut, Adolph:...
portrait from "J. B. L. D.'s ... Reise nach den Senegal-Ländern in einem gedrängten Auszuge. Nebst Lamiral's Wasser- und Rubault's Landreise nach Galam. Mit 2 Kupfern und einer Karte.-G. Lajaille's Reise nach Senegal in den Jahren 1784 und 1787. Ueberse
portrait from "J. B. L. D.'s ... Reise nach den Senegal-Ländern in einem gedrängten Auszuge. Nebst Lamiral's Wasser- und Rubault's Landreise nach Galam. Mit 2 Kupfern und einer Karte.-G. Lajaille's Reise nach Senegal in den Jahren 1784 und 1787. Ueberse
This image has been taken from scan 000067 from "J. B. L. D.'s ... Reise nach den Senegal-Ländern in einem gedrängten Auszuge. Nebst Lamiral's Wasser- und Rubault's Landreise nac...
portrait from "J. B. L. D.'s ... Reise nach den Senegal-Ländern in einem gedrängten Auszuge. Nebst Lamiral's Wasser- und Rubault's Landreise nach Galam. Mit 2 Kupfern und einer Karte.-G. Lajaille's Reise nach Senegal in den Jahren 1784 und 1787. Ueberse
portrait from "J. B. L. D.'s ... Reise nach den Senegal-Ländern in einem gedrängten Auszuge. Nebst Lamiral's Wasser- und Rubault's Landreise nach Galam. Mit 2 Kupfern und einer Karte.-G. Lajaille's Reise nach Senegal in den Jahren 1784 und 1787. Ueberse
This image has been taken from scan 000099 from "J. B. L. D.'s ... Reise nach den Senegal-Ländern in einem gedrängten Auszuge. Nebst Lamiral's Wasser- und Rubault's Landreise nac...
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Ipermestra.” Dresden: Copper engraving
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Ipermestra.” Dresden: Copper engraving
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, s...
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in...
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the op...
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Ves...