100 aquarelles pour la Divine comédie de Dante Alighieri

The Italian poet Dante Alighieri (1265–1321) is invoked several times in the work of Giorgio Agamben, often in passing to stress a point, as when discussing the political relevance...

This book builds upon the groundwork laid in the first volume, where it was established that no generic concept of action will suffice for understanding the character of divine act...

In this chapter, the author engages what Paul of Tarsus says about divine agency and divine action in his letters and in the book of Acts. Attention is given to the types of divine...

Abstract Divine forgiveness is expressed in biblical and liturgical contexts through a variety of metaphors—canceling debts, covering stains, forgoing or stopping li...

De vulgari eloquentia, written by Dante in the early years of the fourteenth century, is the only known work of medieval literary theory to have been produced by a practising poet,...

The Rossettis were one of the most remarkable and talented families in Victorian Britain. Of the two parents and three siblings, Dante Gabriel (1828–82) and Christina (1830–94) sto...

This chapter explores the epistemological vision of the eighteenth-century Anglican evangelist John Wesley, particularly as it relates to knowledge of God. The primary thesis of th...

The fundamental problems that have arisen over the last half-century in treatments of divine action in the Christian tradition stem from a failure to come to terms with the concept...