Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Domus Aurea

View through CrossRef
The Domus Aurea (Golden House) was the opulent residence of the emperor Nero (r. 54–68 ce), set in a vast park in Rome. Ancient literary sources on the Domus Aurea are abundant, albeit not wholly reliable or fair to Nero. Both Suetonius (Ner. 31) and Tacitus (Ann. 15.38–40 and 42) describe the construction. The first phase started in c. 60 ce. This was called the Domus Transitoria, which was interrupted by the great fire of 64 ce. “Domus Aurea” refers to the second phase, after the fire. Given its enormous scale, the Domus Aurea may not have been fully completed in just four years, but at least part of it was finished, most likely the core of the residence, on the Palatine Hill, near the forum, and Nero did move in. The palatine core is largely unknown to us, but the vast parklands created to the east of the forum area include a fine villa on the Esquiline Hill that bespeaks a spectacular new standard both for architectural design in vaulted Roman concrete and in decoration. After Nero, systematic obliteration of the Domus Aurea began with Vespasian (r. 69–79 ce), who sought to erase Nero’s memory. The Esquiline Villa was the last standing element of the Domus Aurea, buried under the Baths of Trajan after another urban conflagration in 104 ce.
Title: Domus Aurea
Description:
The Domus Aurea (Golden House) was the opulent residence of the emperor Nero (r.
54–68 ce), set in a vast park in Rome.
Ancient literary sources on the Domus Aurea are abundant, albeit not wholly reliable or fair to Nero.
Both Suetonius (Ner.
31) and Tacitus (Ann.
15.
38–40 and 42) describe the construction.
The first phase started in c.
60 ce.
This was called the Domus Transitoria, which was interrupted by the great fire of 64 ce.
“Domus Aurea” refers to the second phase, after the fire.
Given its enormous scale, the Domus Aurea may not have been fully completed in just four years, but at least part of it was finished, most likely the core of the residence, on the Palatine Hill, near the forum, and Nero did move in.
The palatine core is largely unknown to us, but the vast parklands created to the east of the forum area include a fine villa on the Esquiline Hill that bespeaks a spectacular new standard both for architectural design in vaulted Roman concrete and in decoration.
After Nero, systematic obliteration of the Domus Aurea began with Vespasian (r.
69–79 ce), who sought to erase Nero’s memory.
The Esquiline Villa was the last standing element of the Domus Aurea, buried under the Baths of Trajan after another urban conflagration in 104 ce.

Related Results

Nicolas Ponce et la Domus aurea de Néron : une documentation inédite
Nicolas Ponce et la Domus aurea de Néron : une documentation inédite
Yves Perrin, Nicolas Ponce et la Domus aurea de Néron : une documentation inédite, p. 843-891. La Domus aurea demeure mal connue ; au XVIIIe siècle, Nicolas Ponce en grava les...
La domus Augusta et les formations de parenté à Rome
La domus Augusta et les formations de parenté à Rome
This paper deals with the anthropological typology of the domus Augusta as a kin group, when it appeared, at the end of the Augustan principate. In spite of some recent scholarly v...
Vernacular architecture of the Amalfi coast: a medieval domus in Villa Rufolo in Ravello (Italy)
Vernacular architecture of the Amalfi coast: a medieval domus in Villa Rufolo in Ravello (Italy)
The oldest medieval domus in Ravello date back to the twelfth century, as an evolution of the original house with barrel vaults, a primitive stone construction with walls of dry ma...
A painted portrait from the Augustan period in the Municipium Augusta Bilbilis (Calatayud, Zaragoza, Spain)
A painted portrait from the Augustan period in the Municipium Augusta Bilbilis (Calatayud, Zaragoza, Spain)
AbstractThis analysis focuses on a young female portrait enclosed within an eight-pointed frame, located in the upper zone of a wall fragment discovered among a substantial assembl...
Destiny as the Harbinger and Destroyer of the Golden Age in La Araucana
Destiny as the Harbinger and Destroyer of the Golden Age in La Araucana
Frecuentemente conceptualizadas como la génesis de una nueva edad áurea, las profecías medievales del último emperador mundial y el segundo Carlomagno sirvieron de estímulo ideológ...

Back to Top